Showing posts with label wiccan magic spells. Show all posts
Showing posts with label wiccan magic spells. Show all posts

Sunday, October 3, 2010

Runecaster Handbook The Well Of Wyrd

Runecaster Handbook The Well Of Wyrd Cover

Book: Runecaster Handbook The Well Of Wyrd by Edred Thorsson

This complete guide shows you how to: make your own runes; load the rune with harmonious power; prepare the optimum setting for a rune reading. Includes general rune meanings, divination tables, the positive and negative aspects of each rune, itslinguistic component and phonetic value, runic layouts, and sample readings. By the author of the best-selling, Futhark: Handbook of Rune Magic.

Edred Thorsson in my opinion is the best author for anything to do with Runes or Northern culture and magic. I have been studying Runes and Northern culture for 10 or so years now and his books are the only ones I have come accorss that strip things back to the beginning. The information in his books is probably the most accurate and truthful information you will get anywhere. I recommend his books to any and all, especially those starting out with this kind of thing as there are too many books out there to do with Runes etc, which are vague and misleading. Also there are too many books with Christian and new age (I Ching etc) twists which don't truthfully represent the Runes at all. Edred does!

A great book for anyone whishing to learn more about the runes. Offers a good starting point for beginners and also a great resource for the more advanced runester. I have all three of Thorsson's books in this series (Futhark, Runelore & the Well of Wyrd) together they are a fantastic resource and a great spring-board to the more advanced studies.

Highly recommend it!

Buy Edred Thorsson's book: Runecaster Handbook The Well Of Wyrd

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Seidr Magic

Seidr Magic Cover

Book: Seidr Magic by Ed Richardson

Of all the reconstructed systems of archaic magickal practice, Seidr seems to be one of the most misunderstood. This is partly because of its sinister reputation, and partly because of sexist notions that only women ever practised divination. All too often Seidr is mistaken for the craft of the Volva, where in reality (if such a notion is useful) the Volvas were only part of a far wider practice. In order to make sense of the collection of beliefs and practices which make up Seidr, some definitions shall be considered, followed by a look at some of the practices involved and their implications. This whole essay shall illustrate examples found in the myths of Northern Europe.

Seidr literally means 'seething' or 'boiling' and has much in common with shamanism and other forms of primitive magick. Indeed it is highly likely that Seidr is an adaptation of shamanic practices to suit the culture and times, when primitive society evolved discovering religion, agriculture and metallurgy. However, Seidr is not a religious practice; it is a magickal practice which is where some of its sinister reputation originates. Jan Fries explains that the Seidr magickians would sell their craft, which makes them something akin to occult mercenaries. Its use is always pragmatic and is reflected as such in the myths. The myths play a vital role in understanding Northern magick as they show how the Aesir, Vanir, Giants and Humanity used magick to deal with problems, hinting at techniques that may be useful today.

Download Ed Richardson's eBook: Seidr Magic

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The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith

The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith Cover

Book: The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith by Francis Gummere

eowulf is often referred to as the first important work of literature in English, even though it was written in Old English, an ancient form of the language that slowly evolved into the English now spoken. Compared to modern English, Old English is heavily Germanic, with little influence from Latin or French. As English history developed, after the French Normans conquered the Anglo-Saxons in 1066, Old English was gradually broadened by offerings from those languages. Thus modern English is derived from a number of sources. As a result, its vocabulary is rich with synonyms. The word kingly, for instance, descends from the Anglo-Saxon word cyning, meaning “king,” while the synonym royal comes from a French word and the synonymregal from a Latin word.

Only a single manuscript of Beowulf survived the Anglo-Saxon era. For many centuries, the manuscript was all but forgotten, and, in the 1700s, it was nearly destroyed in a fire. It was not until the nineteenth century that widespread interest in the document emerged among scholars and translators of Old English. For the first hundred years of Beowulf’s prominence, interest in the poem was primarily historical—the text was viewed as a source of information about the Anglo-Saxon era. It was not until 1936, when the Oxford scholar J. R. R. Tolkien (who later wrote The Hobbit and The Lord of the Rings, works heavily influenced by Beowulf) published a groundbreaking paper entitled “Beowulf: The Monsters and the Critics” that the manuscript gained recognition as a serious work of art.

Beowulf is now widely taught and is often presented as the first important work of English literature, creating the impression that Beowulf is in some way the source of the English canon. But because it was not widely read until the 1800s and not widely regarded as an important artwork until the 1900s, Beowulf has had little direct impact on the development of English poetry. In fact, Chaucer, Shakespeare, Marlowe, Pope, Shelley, Keats, and most other important English writers before the 1930s had little or no knowledge of the epic. It was not until the mid-to-late twentieth century that Beowulf began to influence writers, and, since then, it has had a marked impact on the work of many important novelists and poets, including W. H. Auden, Geoffrey Hill, Ted Hughes, and Seamus Heaney, the 1995 recipient of the Nobel Prize in Literature, whose recent translation of the epic is the edition used for this SparkNote.

Download Francis Gummere's eBook: The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith

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Saturday, October 2, 2010

Does Asatru Have A Holy Book Like The Bible

Does Asatru Have A Holy Book Like The Bible Cover No. There are written sources which are useful to us because they contain much of our sacred lore in the form of myths and examples of right conduct, but we do not accept them as infallible or inspired documents. Any religion which does this is deceiving its members about the purity and precision of the written word. The various competing factions of Middle Eastern religions are proof of this. Their conflicting interpretations can not all be correct!

There are two real sources of holy truth, and neither expresses itself to us in words. One is the universe around us, which is a manifestation of the underlying divine essence. The other is the universe within us, passed down from our ancestors as instinct, emotion, innate predispositions, and perhaps even racial memory. By combining these sources of internal and external wisdom with the literature left us by our ancestors, we arrive at religious truths. This living spiritual guidance is better than any dusty, dogmatic "holy book", whose writings are often so ambiguous that even clerical scholars disagree and whose interpretations change with the politics of the times.

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Yule Celebrations In Great Britain

Yule Celebrations In Great Britain Cover Yule or Yule-tide is a winter festival that was initially celebrated by the historical Germanic peoples as a pagan religious festival, though it was later absorbed into, and equated with, the Christian festival of Christmas. The festival was originally celebrated from late December to early January on a date determined by the lunar Germanic calendar. The festival was placed on December 25 when the Christian calendar (Julian calendar) was adopted. Some historians claim that the celebration is connected to the Wild Hunt or was influenced by Saturnalia, the Roman winter festival.

Terms with an etymological equivalent to “Yule” are still used in the Nordic Countries for the Christian Christmas, but also for other religious holidays of the season. In modern times this has gradually led to a more secular tradition under the same name as Christmas. Yule is also used to a lesser extent in English-speaking countries to refer to Christmas. Customs such as the Yule log, Yule goat, Yule boar, Yule singing, and others stem from Yule. In modern times, Yule is observed as a cultural festival and also with religious rites by some Christians and by some Neopagans.

In Britain and other parts of the British Influenced world, the modern Yule or Yuletide is more commonly associated with Christmas (along with Christmastide) which generally supplanted it around the 11th century other than in North East England where it remained the usual word (and had the variants of yel and yul), possibly being reinforced by the Norse influence (see Danelaw) on that region. It was revived in regular use in standard English during the 19th century however the name Yule log was recorded earlier in the 17th century.

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Thursday, September 30, 2010

What Is In A Word

What Is In A Word Cover 'IN the beginning was the Word' , a statement found at the beginning of the Hebrew Bible, is a typical word-play used to subtly twist the truth. ' The Word ' is attributed to the god Jehovah, a wrathful and destructive demon, and so all of creation is attributed to the destroyer. In reality the statement has a far different meaning.

' Word ' in modern German is ' wurt '; but in Old High German ' wurt ' meant ' wyrd '; the Saxon for wyrd was ' word ', phonetically similar to ' word '. The Norse ' Orlog ' contains the word ' Log ' meaning ' layers ', which in turn may have the same root as the Latin ' logos ', ' words . ' Log ' is also a record of events and so implies ' past events '. So this phrase, in truth, should be, ' In the beginning was the Wyrd '. A very different concept:

And so it was, is and will be! The Wyrd was first; the cosmic mind that drives the wheel of fate and mysteriously hides a changing pattern of unfolding evolutionary destiny. The rune Perthro is a dice-cup, the container that throws the dice in the game of life of which we, the gods, elves and all beings participate. It is the opening womb of the Earth Mother, giver of life, and at the time of birth we begin to work out our fate. Behind the ' chance ' of the dice throw is a pattern of evolution of which we form a part. We are woven by the Wyrd Sisters into the loom of fate, on to the Web of Wyrd, in a pattern with all the other beings of existence and our own destiny appears upon the pattern. And what we do will affect what we are in the future: the past determines the future.

Interestingly, the Norse Orlog is very similar to a Flemish (Dutch) word ' oorlog ' which means 'war'. The word war appears to derive from an Aryan root-word having the following meanings:

1. to will/choose,
2. to speak;
3. to wind or turn.

'To choose' reminds us of the Valkyries, Choosers of the Slain, an aspect of the Wyrd Sisters. 'To speak' implies 'the Word'. 'To wind/turn' implies the cyclic motion of the cosmos and 'wind' can be applied to a spring/spiral. Is the cosmos not a constant 'war' of opposites, the eagle battling with the serpent on the World Tree? And are we not a part of this constant war? And from this struggle emerges the evolutionary drive of the Wyrd , the cosmic mind.

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Baldur Dream

Baldur Dream Cover

Book: Baldur Dream by Wh Auden

Baldrs draumar (Baldr's dreams) or Vegtamskvida is an Eddic poem, contained in the manuscript AM 748 I 4to. It relates information on the myth of Baldr's death in a way consistent with Gylfaginning.

Baldr has been having nightmares. Odin rides to Hel to investigate. He finds the grave of a volva and resurrects her. Their conversation follows, where the volva tells Odin about Baldr's fate. In the end Odin asks her a question which reveals his identity and the volva tells him to ride home.

The poem is one of the shortest Eddic poems, consisting of 14 fornyrdislag stanzas. Some late paper manuscripts contain about five more stanzas, those are thought to be of young origin. Sophus Bugge believed them to have been composed by the author of Forspjallsljod.

Download Wh Auden's eBook: Baldur Dream

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Wednesday, September 29, 2010

The New Flesh Palladium

The New Flesh Palladium Cover

Book: The New Flesh Palladium by Robert North

Enter the realm of the New Flesh Palladium freely and of your own will. The author of this book, Robert North, is perhaps best known to the general public as the erudite translator and editor of the once obscure occult classic Sexual Magic by Paschal Beverly Randolph (1990). But there is a deeper side to the story. The author ... takes us on a dramatic adventure in the history of sexual magic.

The author of this work, Robert North,is perhaps best known to the general public as the erudite translator and editor of the once obscure occult classic SEXUAL MAGIC by P.B. Randolph. Now, in the form of a historical treatment of sexual magic, North introduces the world to the ideas of the New Flesh Palladium. the author takes us on a journey from the Heaven and Hell of Emanuel Swedenborg, through the realms of Mesmer and the Marquis de Sade, and into the worlds of aleister crowley and Wilhelm Reich. In the course of this journey we discover the philosophy of the New Flesh---a dramatic adventure in the history of sexual magic.

Buy Robert North's book: The New Flesh Palladium

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Magic Runes

Magic Runes Cover

Book: Magic Runes by Samael Aun Weor

I have been trying to share with you the importance of bringing the Runes and the gods/goddesses of the North into the 21st Century. No longer should we run around in the woods with our axes and swords, drinking mead (unless we want to for FUN), asking the gods/goddesses to help us. Asking the runes to help us. If we had the power to invoke Odin, Thor or TYR into our blot or our rituals. What would we do with them?

Runes and Odin and the gods/goddesses of the North belong in the 21st Century, in the Age of Aquarius, the Age of the Internet and Quantum Physics. No longer can we pray to them to do it for us. We must ask the gods and the runes how to do it and give us the energies to do it with. It is erroneous to keep the Runes shackled to the Viking Age. All the literature we have about the magic of runes is shadowed in parables, paradoxes and enigmas. The Laws of Quantum Physics broke through the mystery of the magic of runes symbols. Runes were never meant for divination. Runes were never meant to be used as an alphabet.

Runes are Universal Creative Energies. Magical rune symbols are just that. Magical rune symbols that connect us to the runic energy of the Quantum Ocean (Mind of God).

Download Samael Aun Weor's eBook: Magic Runes

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Kenaz Rune

Kenaz Rune Cover Kenaz signifies a torch. It represents the light leading us in the darkness, helping us to rise from the dark depths of our spirit by knowing our selves. Seeing that fire is the element here, all aspects of this Rune are connected to physical and spiritual traits of fire. It can be the fire of creation, but also creative sexual energy. This Rune can also symbolize inspiration and understanding, that is every flash of light which can lead to enlightenment or understanding of something previously unknown to us; it can also signify the forming of a good idea in a creative sense. The inspiration Kenaz brings can be not only the creative kind but also the kind of inspiration that brings new motivation for life. Whenever your life becomes a routine Kenaz brings a breath of fresh air. The fire of artistic inspiration is strictly controlled, and the human passion must be the same; if it isn't, the relationship can become hell. Fire is connected to purification. One of the possible interpretations of this Rune is the association with cremation and it corresponding with Kano, the holy vehicle in the cult of Nerthus, Nordic Goddess of the Earth.

Divination:

Positive meaning: vision, creativity, inspiration, enthusiasm, passion.

Negative meaning: blind passion, destruction, loss of vision or inspiration

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Asatru As A Cosmology

Asatru As A Cosmology Cover Asatru has a unique and advanced view of the universe, which has developed over the millennia. This cosmology details a universe of Nine Worlds tied together by Yggdrasil and it details how all things interact within and between these realms and through time. This universe is rarely harmonious and these cosmological tensions define the interactions of Gods and human alike. In this universe, numerous independent agents interact, sometimes in conflict, sometimes in harmony, to create all the manifestations and events we see. Understanding and working with this cosmology will help you understand the various rituals and practices of our way. Understanding this cosmology will also help you understand the evolution of the universe, its cycles and its ultimate destiny.

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Monday, September 27, 2010

Potentialities Of Loki

Potentialities Of Loki Cover

Book: Potentialities Of Loki by Anonymous

The figure of Loki is as fascinating as he is problematic. Jan de Vries (1933), Hilding Celander (1914) and Folke Strom (1956) characterise Loki as a 'problem', while to Anne Holtsmark (1962) he remains a 'riddle'. To this day scholars are divided on how to categorise Loki. Some call him a god, others a giant, an elf (Karl Weinhold 1849:13) or a demon, and often they do not define what they mean by these appellations .i Is Loki a demon? Or, as according to Jakob Grimm (1835) (1953:199f.), a fire elf? Does Loki's alleged 'fire nature' (Karl Simrock 1887:99) imply that he is a 'destroyer' (Karl Simrock 1887:99)? Is he 'evil' (Hermann Schneider 1938:241), the Lucifer of the North (Sophus Bugge 1881:10)? The cunning trickster (Jan de Vries 1933)? Or death (Anatoly Liberman 1992:142)? Of course, a conference presentation cannot provide answers to all of these questions, but let us concentrate briefly on one of them, Loki as 'evil'.

Download Anonymous's eBook: Potentialities Of Loki

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Sunday, September 26, 2010

Asatru And The Paranormal

Asatru And The Paranormal Cover

Book: Asatru And The Paranormal by Anonymous

We live in an age which, for various reasons, ignores and even ridicules the very idea of the paranormal: of that which cannot be explained by the norms of everyday experience. religious belief itself has been replaced by the foggy political slogan of "shared values," a mask for spiritual emptiness. Telepathy, clairvoyance, psychokinesis and similar categories are regularly dismissed as ridiculous, impossible, delusional and so forth. In cases where it is very difficult if not impossible to dismiss such things, the evidence is most often suppressed or deliberately misconstrued. Peer pressure is too great.

In spite of this hostile atmosphere, we of Asatru need to look seriously at the ocean of human experience which testifies to the reality of another dimension.

Download Anonymous's eBook: Asatru And The Paranormal

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Asatru Modern Fantasy

Asatru Modern Fantasy Cover "Asatru is a religion, and joining it is no different than becoming an Episcopalian, a Muslim, or a Wiccan. Asatru is no more 'European' than Islam is 'Arabic' or Buddhism is 'Asian.'"

This is a modern fantasy. No indigenous group really believes that its religion is just a set of practices and abstract concepts, separate from membership in the community, to be adopted or set aside at will by outsiders. People may decide to become a Baptist or a Lutheran, but no one looks in the mirror while brushing their teeth in the morning, and thinks "Hey, I'm tired of being a Catholic. I think I'll become a Lakota Sioux."

Native religion is not something apart from the life of the tribe. Religion, politics, economics, values and customs are all part of one thing. There is no real separation among them. Taken as a whole, this aggregate is the "Way" of the group; religion becomes one particular fraction of "the way the tribe is in the world, and what the tribe does."

Some religions, in contrast, are not based on the experience of a particular group, but on abstract philosophy or a revelation divorced from any tribal or national group. The monotheistic religions are the best examples of these. One can drift from Methodism to Mormonism, or
from Catholicism to Islam, based on abstract reasoning or emotional attachment. It is here, not in indigenous belief, that the proposition of our critics finds its natural home. Those who attack
Asatru because of its Folkish basis still carry with them the mental assumptions of Christianity and the other philosophical, universalist sects.

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Asatru Community

Asatru Community Cover The important point that I wish to make is that you, as a member of the Gothar, are a highly visible member of the greater Asatru Community. You must conduct your public, as well as private affairs in a way which is beyond approach. In effect, you must set an example for others to follow. Always conduct yourself with dignity and honor. For you are the last great hope for our Folk. Never forget your responsibilities to your Kindred, and work hard to develop your skills. You are an important link in the legacy and history of our people. The martyrs of the Saxon's Gothar never flinched when ordered to renounce Asatru or face beheading at the hands of Charlamagne's Holy Roman Empire. Nor did the Gothar of Norway who bravely defied "Saint" Olaf's edicts to submit to the throne and the Pope. We shall never forget the deeds of these heroes, and always honor their memory in our deeds.

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Stories From Northern Myths

Stories From Northern Myths Cover

Book: Stories From Northern Myths by Emilie Kip Baker

"Stories from Northern Myth" written in 1914 by Emilie Kip Baker. Most of the existing records on Norse mythology date from the 11th to 18th century, having gone through more than two centuries of oral preservation in what was at least officially a Christian society. At this point scholars started recording it, particularly in the Eddas and the Heimskringla by Snorri Sturluson, who believed that pre-Christian deities trace real historical people. There is also the Danish Gesta Danorum by Saxo Grammaticus, where the Norse gods are more strongly Euhemerized. The Prose or Younger Edda was written in the early 13th century by Snorri Sturluson, who was a leading skald, chieftain, and diplomat in Iceland. It may be thought of primarily as a handbook for aspiring skalds. It contains prose explications of traditional "kennings," or compressed metaphors found in poetry. These prose retellings make the various tales of the Norse gods systematic and coherent.

The mythological literature relates the legends of heroes and kings, as well as supernatural creatures. These clan and kingdom founding figures possessed great importance as illustrations of proper action or national origins. The heroic literature may have fulfilled the same function as the national epic in other European literatures, or it may have been more nearly related to tribal identity. Many of the legendary figures probably existed, and generations of Scandinavian scholars have tried to extract history from myth in the sagas.

Sometimes the same hero resurfaces in several forms depending on which part of the Germanic world the epics survived such as Weyland/Volund and Siegfried/Sigurd, and probably Beowulf/Bodvar Bjarki. Other notable heroes are Hagbard, Starkad, Ragnar Lodbrok, Sigurd Ring, Ivar Vidfamne and Harald Hildetand. Notable are also the shieldmaidens who were ordinary women who had chosen the path of the warrior. These women function both as heroines and as obstacles to the heroic journey.

Download Emilie Kip Baker's eBook: Stories From Northern Myths

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Saturday, September 25, 2010

The Guardian Of The Rainbow

The Guardian Of The Rainbow Cover Fearing lest their enemies, the frost giants, should make their way over this bridge, which, connecting heaven and earth, ended under the shade of the mighty world tree Yggdrasil, close beside the fountain where Mimir kept guard, the Gods bade the white-clad Heimdall watch it night and day.

“Bifrost i’ th’ east shone forth in brightest green;
On its top, in snow-white sheen,
Heimdal at his post was seen.” - OEHLENSCHLAGER (Pigott’s tr.)

To enable their watchman to detect the approach of any enemy from afar, the assembled Gods gifted him with very keen senses, for he is said to be able to hear the grass grow on the hillside, and the wool on the sheep’s back, to see plainly one hundred miles off by night as well as by day, and to require less sleep than a bird.

“’Mongst shivering giants wider known
Than him who sits unmoved on high,
The guard of heaven, with sleepless eye.” - LAY OF SKIRNER (Herbert’s tr.)

Heimdall was further provided with a flashing sword and a marvelous trumpet, called Gjallarhorn, which the Gods bade him blow whenever he saw their enemies draw near, declaring that its sound would rouse all creatures in heaven, earth, and Niflheim; would announce that the last day had come and that the great battle was about to be fought.

“To battle the gods are called
By the ancient
Gjallar-horn.
Loud blows Heimdall,
His sound is in the air.” - SAEUND’S EDDA (Thorpe’s tr.)

To keep this instrument, which was a symbol of the moon crescent, ever at hand, Heimdall either hangs it on a branch of Yggdrasil above his head or sinks it in the waters of Mimir’s well, where it lay side by side with Odin’s eye, which is also an emblem of the moon at its full.

Heimdall’s palace, called Himinbiorg, was placed on the highest point of the bridge, and here the Gods often visit him to quaff the delicious mead which he sets before them.

“’Tis Himminbjorg called
Where Heimdal, they say,
Hath dwelling and rule.
There the gods’ warder drinks,
In peaceful old halls,
Gladsome the good mead.” - NORSE mythology (R. B. Anderson)

Heimdall, always clad in resplendent white armor, is therefore called the bright God, as well as the light, innocent, and graceful God, all which titles he fully deserves, for he is as good as beautiful, and all the Gods love him.

Connected on his mothers’ side with the sea, he was sometimes counted among the Vanas; and as the ancient Northerners, and especially the Icelanders, to whom the surrounding sea appeared the most important element, fancied that all things had risen out of it, they attributed to him a knowledge of all things and imagined him particularly wise.

“Then said Heimdall,
Of ?sir the brightest —
He well foresaw
Like other Vanir.” - SAEUND’S EDDA (Thorpe’s tr.)

This God is further distinguished by his golden teeth, which flash when he smiles, and won for him the surname of Gullintani (golden-toothed). He is also the proud possessor of a swift, golden-maned steed called Gull-top, which transports him to and fro over the quivering rainbow bridge. This he crosses many times a day, but particularly in the early morn, when he is considered a herald of the day and bore the name of Heim-dellinger.

“Early up Bifrost
Ran Ulfrun’s son,
The mighty hornblower
Of Himinbiorg.” -SAEUND’S EDDA (Thorpe’s tr.)

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Asatru Faq Part 1

Asatru Faq Part 1 Cover What is Asatru?

Long before Christianity came to northern Europe, the people there - our ancestors - had their own religions. One of these was Asatru. It was practiced in the lands that are today Scandinavia, England, Germany, France, the Netherlands, and other countries as well. Asatru is the original or native religious belief for the peoples who lived in these regions.

What does the word "Asatru" mean?

It means, roughly, "belief in the Gods" in Old Norse, the language of ancient Scandinavia in which so much of our source material was written. Asatru is the name by which the Norsemen called their religion.

When did Asatru start?

Asatru is thousands of years old. Its beginnings are lost in prehistory, but it is older than Christianity, Islam, Buddhism, or most other religions. The spiritual impulses it expresses are as ancient as the European peoples themselves - at least 40,000 years, and perhaps much older.

Why do we need Asatru? Aren't most people who want religion satisfied with Christianity or one of the other "Established" religions?

People are attracted to the better-known religions because they have genuine spiritual needs which must be filled. People are looking for community and for answers to the "big questions": What life is all about, and how we should live it. For many people today, the so-called major faiths do not have answers that work. Asatru has answers, but it has not been an alternative for most seekers because they haven't known about it. Once they realize that there is another way - a better, more natural, more honorable way - they will not be satisfied with anything less than a return to the religion of their ancestors.

Why is the Religion of our Ancestors the Best One for Us?

Because we are more like our ancestors than we are like anyone else. We inherited not only their general physical appearance, but also their predominant mental, emotional, and spiritual traits. We think and feel more like they did; our basic needs are most like theirs. the religion which best expressed their innermost nature - Asatru - is better suited to us than is some other creed which started in the Middle East among people who are essentially different from us. Judaism, Islam, and Christianity are alien religions which do not truly speak to our souls.

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Thursday, September 23, 2010

Goddess Ran

Goddess Ran Cover Ran is a moody and treacherous Goddess of the sea. She is called the “Goddess of the drowned” for she pulls sailors from the surface into her realm. Once there, she treats them well and gives them a great feast. She is the wife of Aegir, and together they rule over the seas and are
renowned for brewing and parties.

Free eBooks (Can Be Downloaded):

Hrafnagaldr Odi - Odin Ravens Song
Anonymous - Confessio Fraternitatis
Morwyn - The Golden Dawn
Franceska De Grandis - Be A Goddess
Franceska De Grandis - Goddess Initiation

La Hermandad De Odin In Spanish

La Hermandad De Odin In Spanish Cover

Book: La Hermandad De Odin In Spanish by Mark Mirabello

Este trabajo – escrito durante lo que Herman Hesse llamo "el final de los tiempos modernos, apenas antes del regreso del medioevo" – esta disenado para los estudiantes de las religiones ocultas. El paganismo es una fuerza creciente, y creo que un observador neutro debe registrar y publicar algo del material disponible sobre la Hermandad de Odin, una fraternidad misteriosa que es una de las mas interesantes manifestaciones del politeismo Odinista.

Debido a que mi proposito es mas de preservar que de criticar, simplemente he detallado las creencias de la Hermandad, sin intentar escudrinar en sus "misterios." En momentos las ideas que me transmitian eran extremadamente fuera de lo usual – doctrinas que divinizan al hombre y humanizan a los Dioses; leyendas de paredes magicas que conducen a territorio divino; profecias de guerras con monstruos apocalipticos; indicaciones del hallazgo de un tesoro de monolitos de oro; y mucho mas – pero decidi registrar estas ideas sin comentarlas.Como sea, es mi esperanza, que otros, algun dia, evaluaran el interesante y sorprendente fenomeno que es llamado Odinismo.

Ya que la Hermandad de Odin es una "sociedad secreta," mis fuentes (encontradas mientras yo conducia una investigacion para un doctorado de historia, en la Universidad Escocesa de Glasgow) deben permanecer anonimas, y por ello no puedo documentar mi material con las referencias adecuadas. Siento notar esta omision, es especialmente lamentable porque no puedo garantizar la credibilidad de los individuos que se comunicaron conmigo. Mi fuentes parecen lo suficientemente respetables – no estaban "traficando con fuerzas oscuras" – pero invito a mis lectores que se acerquen a este trabajo con el escepticismo apropiado.

Para los lectores que deseen establecer contacto personal con la hermandad Odinista, no les puedo brindar algun mecanismo. Puedo afirmar, de todas maneras, que algunos miembros de la Hermandad son miembros tambien de ciertos grupos Odinistas que no evitan la publicidad, asi que asociarse a organizaciones Odinistas publicas puede permitir un encuentro con la Hermandad. Considerando el formato de este trabajo, he usado el dialogo, ya que los poemas sagrados de todos los Odinistas (los legendarios poemas Eddicos) usan la conversacion para tratar la informacion religiosa de importancia. Habia un factor negativo – Los dialogos Eddicos siempre terminan con la muerte de uno de los interlocutores - pero decidi ignorar ese riesgo.

Download Mark Mirabello's eBook: La Hermandad De Odin In Spanish

Free eBooks (Can Be Downloaded):

Aleister Crowley - Every Man And Every Woman Is A Star
Maslama Al Majriti - Picatrix In Spanish
Mark Mirabello - A Irmandade De Odin In Portuguese
Mark Mirabello - La Hermandad De Odin In Spanish