The Galdrabok An Icelandic Grimoire

Book: The Galdrabok An Icelandic Grimoire by Stephen Flowers

The so-called Galdrabok,' or "Book of Magic," is the single most important document for understanding the practice of magic in late medieval Iceland. It is especially important in that it give, a unique insight into the various religio-magical elements that went into a synthetic national magical tradition in Iceland all the time of its compilation. No other document of comparable age gives so many details of the preservation of the archaic Germanic gods, cosmology, and magical practices as does this little manuscript. Here we are not dependent on folktales or indirect reports through confessions exacted by the tortures of the Inquistion or other churchly authorities to reconstruct the magicoreligious views of the galdramenn (magicians) of the day; instead, we have direct evidence of actual practices written by the magicians' own hands. In many ways the Galdrabok is to the Icelandic folktales of magic' what the runic inscriptions are to the accounts of magic recorded in the sagas. They provide factual corroboration of what otherwise might have been considered, form of fantasy.

In this volume the reader will find not only an annotated translation of the complete Galdrabok but also a similar treatment of selections from other written sources of Germanic magical practice from all of the Germanic peoples. However, in no region did the old ways and the old Gods and goddesses survive so well as in Iceland. And because we are focusing on these texts for what is uniquely Germanic about them, leaving as secondary what is common to every European tradition, we will concentrate mainly on Icelandic sources in this study. Our two principal areas of interest will be the preservation of the Old Gods and the preservation of the unique forms of Germanic magical practice inherited from the heathen age.

In preparing this work for modern publication, I've made every effort to remain true to the original text of the Gaklrabok. Irregularities in capitalization and spelling are left as in the original as they may have special meaning or significance.

Buy Stephen Flowers's book: The Galdrabok An Icelandic Grimoire

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Ask And Embla

"All men and women are descendants from Ask and Embla, the primordial man and women who were found, as tree trunks on the strand, by Odin, Hoenir and Lodur and given life. Thus, Asatru is the legacy of all humans."

This is part of the lore of the Northern people. There are thousands of such stories told by cultures both ancient and modern, from the Old Testament to the interior of the Amazon today.

Humans in their tribal state were extremely ethnocentric, and often their various groupings bear names that mean something like "the true people" or "the real human beings" to distinguish themselves from their neighbors. Likewise, their creation myths tend to be ethnocentric and to pertain only to themselves - not to all of humankind, with which they are not particularly concerned.

To argue that all humans are descended of Ask and Embla is to say that the myths of every other native culture are wrong, and that only ours is right. From the Australian Outback to the depths of Africa, groups have their own explanations for how they came to be. It is the
height of arrogance to assume that our stories apply to them, and that the sacred tales of their own people are false. Unless we assume that their lore is inferior and inaccurate, we are forced to the logical conclusion that each group is right - so long as it speaks to its own people, and no other.

Indeed, to say that our creation story is the only true one is to deny the existence and validity of other peoples' Gods - for it imposes Odin, Hoenir, and Lodur upon these other folk, shoving their Gods rudely out of the picture and negating their own religious explanations for the nature of things. Most Asatruar would not support such religious imperialism. To say that ours is the "one, true" story of human origin smacks not only of religious intolerance but...well, racism!

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Runecaster Handbook The Well Of Wyrd

Book: Runecaster Handbook The Well Of Wyrd by Edred Thorsson

This complete guide shows you how to: make your own runes; load the rune with harmonious power; prepare the optimum setting for a rune reading. Includes general rune meanings, divination tables, the positive and negative aspects of each rune, itslinguistic component and phonetic value, runic layouts, and sample readings. By the author of the best-selling, Futhark: Handbook of Rune Magic.

Edred Thorsson in my opinion is the best author for anything to do with Runes or Northern culture and magic. I have been studying Runes and Northern culture for 10 or so years now and his books are the only ones I have come accorss that strip things back to the beginning. The information in his books is probably the most accurate and truthful information you will get anywhere. I recommend his books to any and all, especially those starting out with this kind of thing as there are too many books out there to do with Runes etc, which are vague and misleading. Also there are too many books with Christian and new age (I Ching etc) twists which don't truthfully represent the Runes at all. Edred does!

A great book for anyone whishing to learn more about the runes. Offers a good starting point for beginners and also a great resource for the more advanced runester. I have all three of Thorsson's books in this series (Futhark, Runelore & the Well of Wyrd) together they are a fantastic resource and a great spring-board to the more advanced studies.

Highly recommend it!

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The Suppression Of Wyrd

Why is it that references to the Wyrd are so few in number? Why is it that the concept of Wyrd has all but been forgotten for well over one thousand years? In fact, we are very lucky to have an, references left at all.

The answer to this searching question is that Wyrd was deliberately suppressed by the Christ-people. Why? Because the Wyrd, as the Supreme Cosmic Mind or Intelligence, would not fit in with the idea of a Judaic 'God' who professes domination over all 'his' creation. Nor would it fit the idea of his 'son', Jesus, as the Messiah or Saviour of mankind. So the Wyrd, as the actual intelligence behind creation, had to be suppressed.

In written works of the Old English period the thought of Wyrd as woven by three Goddesses was consciously played down by writers and copyists. In 'Beowulf', where the word 'Wyrd' occurs nine times, the poet has imagined 'God' as the Weaver, thus giving a veneer of Christianity to a purely pagan idea. Two centuries later the Christian writers no longer regarded 'God' as being subject to Wyrd, for Wyrd becomes subject to 'God', or regarded as one of his attributes.

"What we call Wyrd is really the work of God about which He is busy every day." - Alfred the Great.

Then followed the virtual suppression of Wyrd altogether, though not quite! For the Wyrd Sisters surfaced again in Chaucer's 'Legend of Good Women' - "The Wyrdys that we clepyn destine", and again around 1450 in 'The Court of Love' - "I eons the three of fatelle dentine that be our Werdes,"

Again the Wyrd Sisters raised their heads in 1605 as the Weird Sisters of Shakespeare's 'Macbeth'. Most interestingly they are portrayed as battle-maidens. (Though perhaps not surprisingly in view of the name 'Shakespeare' - spear-shaker!)

"First witch: When shall we three meet again?
In thunder, lightning and in rain?
Second witch: When the hurly-burly's done,
When the battle's lost and won."

Here we are reminded of 'Beowulf': "The Lord gave the people of the Waders webs to speed them in battle." It would appear that Shakespeare's source for the Weird Sisters was 'Holinshead's Chronicles', from which clearly the three sisters are associated with the time-continuum of Past, Present, Future: The first of them spoke and said: "All hails Makbeth, thane of Glamis!" (For he had lately entered into that dignities and office by the death of his father Sinell.) The second of them said: "Hails Makbeth, thane of Cawdor!" But the third said: "All hails Makbeth, that hereafter shall be King of Scotland!"

Interestingly, a woodcut from the first edition of the 'Chronicles' shows the sisters by a tree - obviously Yggdrasil! Despite the deliberate and systematic suppression of the Wyrd the concept arose from the Folk-soul at certain times. Of course the Cosmic Mind could never be fully suppressed and only fools would think that they could do so. The truth surfaces in the end! The Wyrd was at the beginning and is eternal, and the Sisters of Wyrd still weave the Web of Wyrd for Gods and Men and all things in the Nine Worlds.

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Seidr Magic

Book: Seidr Magic by Ed Richardson

Of all the reconstructed systems of archaic magickal practice, Seidr seems to be one of the most misunderstood. This is partly because of its sinister reputation, and partly because of sexist notions that only women ever practised divination. All too often Seidr is mistaken for the craft of the Volva, where in reality (if such a notion is useful) the Volvas were only part of a far wider practice. In order to make sense of the collection of beliefs and practices which make up Seidr, some definitions shall be considered, followed by a look at some of the practices involved and their implications. This whole essay shall illustrate examples found in the myths of Northern Europe.

Seidr literally means 'seething' or 'boiling' and has much in common with shamanism and other forms of primitive magick. Indeed it is highly likely that Seidr is an adaptation of shamanic practices to suit the culture and times, when primitive society evolved discovering religion, agriculture and metallurgy. However, Seidr is not a religious practice; it is a magickal practice which is where some of its sinister reputation originates. Jan Fries explains that the Seidr magickians would sell their craft, which makes them something akin to occult mercenaries. Its use is always pragmatic and is reflected as such in the myths. The myths play a vital role in understanding Northern magick as they show how the Aesir, Vanir, Giants and Humanity used magick to deal with problems, hinting at techniques that may be useful today.

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The Eddas The Keys To The Mysteries Of The North

Book: The Eddas The Keys To The Mysteries Of The North by James Allen Chisholm

This is a practical manual of self-transformation. It takes the form of a working edition of the mythological poems of the ancient Norse Poetic Edda for modern “pagans” who practice the magic and religion of the North. The poems of the Poetic Edda form the most complete and authentic body of surviving pre-Christian Germanic religious and magical lore. The mythological poems of the Elder Edda hold the keys to the understanding and practice of the pre-Christian religion of the Germanic peoples. This book enables the reader to fathom the
mysteries of the Eddic poems so that the elder Troth of the Gods of Europe may again be rightly hailed in holy groves, and the hidden wisdom of the rune-masters rediscovered. This book is especially practical for those who wish follow the authentic pre-Christian religion and magic of the English and other Teutonic folk.

A new translation of the mythological poems of the Edda is the main component of this work. The religious content is revealed with accuracy and clarity. Earlier renditions have been artful paraphrases by scholars who valued the poems as literary monuments, but disregarded the religious and mythic content as the nonsensical but amusing folklore of a more primitive world. None of them ever imagined that their audiences would include practitioners of the Eddic religion. The inaccuracies of such translations have led many modern pagans astray. This is the truest translation for purposes of understanding the religious content of the Poetic Edda.

For the rune-magicians, poetry was a powerful form of magic. The Eddas hold the wisdom of the Erulian Rune-Magicians, and many of these poems may be fathomed to incredible depths and heights, by those who know how to ask. This book is about asking. These poems provide sufficient material for an accurate reconstruction and revivification of the Odian religious and magical philosophies. These poems hold spells, invocations, and lore from which rituals, sacred dramas, and initiatory rites can be reconstructed or authentically created, as well as the keys to understanding the soul and the nine worlds of Yggdrasil - the world tree of the ancient North. Many of the keys are provided also for unlocking the secrets of mysteries of the cults of Thor, Tyr and the Vanir, though much of this lore is filtered through an Odian lens.

The Eddic poems are spells, in which the mysteries of the old lore are encoded by word, rhythm, alliteration, idea, and rune. The words of a given stanza are not juxtaposed merely because the resulting rhythms and word plays are pleasing, but because of there are deep magical resonances among such words. The impact of these magical stanzas perhaps may not be registered consciously, but the magic of Eddic lines reaches far below the shallow waters of mundane conscious understanding into the depths of the collective unconscious, into the realms where our souls mingle with the realms of the Gods. The power of the Eddic verses can be used for invocations and magical operations. It is the task of the modern elders (priests) and vitkis (magicians) to gain a conscious knowledge of the meanings and powers of these combinations of word, meter and rune. The stanzas of the Eddic poems hold the secrets of our Gods. It is the task of this book to provide the modern seeker with the keys to understanding deeper levels of meaning and to encode these into modern English for fashioning invocations to the Gods and for shaping powerful poetic staves in magic.

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Northern Magic Rune Mysteries And Shamanism

Book: Northern Magic Rune Mysteries And Shamanism by Edred Thorsson

This in-depth primer of the magic of the Northern Way introduces the major concepts and
practices of Gothic or Germanic magic. From Pennsylvania Dutch hex-magic to Scandinavian
runes, Northern Magic explores the folk traditions, ancient lore, Germanic Mysteries, magic,
and wisdom of this ancient Germanic culture.

Another of Thorsson's masterpieces! I strongly recommend this book to all pagans who follow the Northern Way. I don't quite understand the bad reviews about Edred Thorsson being a satanist, he is quite far from it!

This is an excellent book for beginners of Asatru, due to the book wide variations of Norse paganism. This book covers many subjects and customs such as: The Troth, Runes, Hex-signs, Seith Magic, and much more. This book, however, is not in depth in these subjects, but a great introduction to them. If you are looking for information on Runes of the Elder Futhark, I wouldn't count on this book, however Thorsson introduces the Younger Futhark and covers them pretty well (one page on each rune, front and back!) I also recommend this book for the advanced, because it introduces new customs as well. Be sure to check out other books by Thorsson.

This is a really good reference for the very busy professional person who needs a clear presentation of ideas in a very short space. It would function as an excellent primer to Runelore and/or Futhark.

This book gives a really good quick overview of the Northern Way as it exists in its present remanifestation. In Chapter III, Dr. Thorsson explains the similarities and differences between the Troth, Rune-Galdor (operative rune magick), and Seith (norse shamanism) in a clear and concise manner.

Chapters IV and V explain Teutonic Cosmology and Theology in a quick, clear, and concise manner.

Dr. Thorsson does make a run at describing the Teutonic "soul" concept, but this is not as satisfying as the foregoing-described concise summaries.

Dr. Thorsson focuses on the younger runes and some home-grown Pennsylvania Dutch magick in this book, which might be interesting to some.

In my opinion, this book is most valuable for the quick summaries, and illustrations accompanying same, discussed above.

Since 1972, Edred Thorsson has been dedicated to the esoteric and esoteric study of the Indo-European, Celtic and Teutonic traditions. He studied Old Irish, Middle Welsh and Indo-European religion and culture at major universities in Germany and in the United States.

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The Younger Edda Also Called Snorre Edda Or The Prose Edda

Book: The Younger Edda Also Called Snorre Edda Or The Prose Edda by Rasmus Anderson

SNORRE'S EDDA, OR THE PROSE EDDA. AN ENGLISH VERSION OF THE FOREWARD; THE FOOLING OF GYLFE, THE AFTERWORD; BRAGE'S TALK, THE AFTERWORD TO BRAGE'S TALK, AND THE IMPORTANT PASSAGES IN THE POETICAL DICTION (SKALDSKAPARMAL) WITH AN INTRODUCTION, NOTES, VOCABULARY, AND INDEX.

All the poems quoted in the Younger Edda have in this edition been traced back to their sources in the Elder Edda and elsewhere. Where the notes seem to the reader insufficient, we must refer him to our Norse Mythology, where he will, we trust, find much of the additional information he may desire. Well aware that our work has many imperfections, and begging our readers to deal generously with our shortcomings, we send the book out into the world with the hope that it may aid some young son or daughter of Odin to find his way to the fountains of Urd and Mimir and to Idun's rejuvenating apples. The son must not squander, but husband wisely, what his father has accumulated. The race must cherish and hold fast and add to the thought that the past has bequeathed to it. Thus does it grow greater and richer with each new generation. The past is the mirror that reflects the future. (R. B. ANDERSON)

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Rasmus Anderson - The Younger Edda Also Called Snorre Edda Or The Prose Edda

Baldur Dream

Book: Baldur Dream by Wh Auden

Baldrs draumar (Baldr's dreams) or Vegtamskvida is an Eddic poem, contained in the manuscript AM 748 I 4to. It relates information on the myth of Baldr's death in a way consistent with Gylfaginning.

Baldr has been having nightmares. Odin rides to Hel to investigate. He finds the grave of a volva and resurrects her. Their conversation follows, where the volva tells Odin about Baldr's fate. In the end Odin asks her a question which reveals his identity and the volva tells him to ride home.

The poem is one of the shortest Eddic poems, consisting of 14 fornyrdislag stanzas. Some late paper manuscripts contain about five more stanzas, those are thought to be of young origin. Sophus Bugge believed them to have been composed by the author of Forspjallsljod.

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Norse Mythology Legends Of Gods And Heroes

Book: Norse Mythology Legends Of Gods And Heroes by Peter Andreas Munch

The Norwegian original on which the present translation is based was written by Peter Andreas Munch, the founder of the Norwegian school of history. Munch’s scholarly interests embraced also many related subjects, such as general history, archaeology, geography, ethnography, linguistics, and jurisprudence. His varied labors have in large part stood the test of time. His most important work, the “History of the Norwegian People” (Det norske folks historie, 8 vols. 1851–63) covering the period of Norway’s ancient independence ending with the Kalmar Union of 1397, still remains a source book and a point of departure for historians. The great significance of Munch’s scholarship lies in its influence upon the modern renascence of Norwegian culture. In the middle of the nineteenth century he was the most conspicuous intellectual force in the country, as Wergeland had been before him and as Bjornson came to be after him. The national spirit in Norway, which has steadily gained strength, owes a heavy debt to the gifted leaders of an earlier generation, not least among whom was Munch. As an historian, as an editor of Old Norse poetry and saga, as a recorder of the venerable myths and legends of the race, he did yeoman service in establishing a sense of historical continuity between the Norway of the past and the Norway of the present. Since his day, Norwegians have labored in the fields of history, folklore, and related subjects, deepening and strengthening that fruitful sense of national consciousness which he did so much to awaken.

Munch’s handbook of Norse Mythology, which first appeared in 1840, was originally written as a supplementary volume to a school text on the history of Norway, Sweden, and Denmark. As a book for students and as a work of general reference it has maintained its popularity. The third edition (1922) from which the translation is made, was prepared by Professor Magnus Olsen of the University of Oslo, in response to the demand for an up-to-date treatment of the entire subject. He found it advisable, however, to revise Munch’s work rather than to attempt a wholly original book, since he was thus able to incorporate the results of later research in a volume which had long enjoyed both popular and scholarly approval. The value of Munch’s work has been greatly increased through Professor Olsen’s revision.

The English translation is intended as a companion volume to two other books published in the SCANDINAVIAN CLASSICS series, The Prose Edda, translated by Arthur Gilchrist Brodeur, and The Poetic Edda, translated by Henry Adams Bellows. Norse mythology will serve alike the student of Old Norse literature, and the general reader who seeks an authoritative guide through the world of Northern myth and legend. My thanks are due to Professor Magnus Olsen for permission to translate the work, and to Professor William Witherle Lawrence, of Columbia University, Chairman of the Publications Committee of the American-Scandinavian Foundation, for many valuable suggestions. - S. B. H.

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Anglo Saxon Heathendom And Icelandic Asatru

Book: Anglo Saxon Heathendom And Icelandic Asatru by Eric Wodening

The ancient Germanic peoples essentially followed the same religion. Nearly all of them appear to have worshipped the major gods known to us from Norse mythology - Odinn, PorR, FreyR, and so on. They also believed in many of the same "spirits" or wights--elves dwarves, thurses, and so on. They held various festivals, rituals, and customs in common. This is not to say that there were not differences among the tribes in their religious customs and beliefs. There was always some variation in religious practices and beliefs among the Germanic peoples.

Perhaps the best demonstration of both the similarities and the differences which sometimes existed in the religious beliefs of the Germanic peoples would be to examine the respective beliefs of the Anglo-Saxon and Icelandic heathen.

It must be noted right away that the ancient Germanic peoples lacked a name for their religion or its branches. An ancient Anglo-Saxon heathen if asked about his religion would probably have referred to it simply as min beodisc gelefa, "my tribe's belief." The Icelanders may have responded along similar lines, although today this ancient and modern branch of the Germanic heathen religion is called "Asatru." For simplicity's sake, we will use "Anglo-Saxon heathendom" and "Asatru" for the faiths of the ancient Anglo-Saxons and Icelanders respectively..

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Teachings Of The Odin Brotherhood

Book: Teachings Of The Odin Brotherhood by Anonymous

Some years after the publication of Mirabello's book, the Anonymous and privately printed Teachings of the Odin Brotherhood began to circulate. Copies of the latter are rare.

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Asatru And Odinism

Book: Asatru And Odinism by Miac

Recenl decades have seen a proiiieration oi different religions and sects. Pad oi this movemenl has been a reslrgence of in lerest in ancienl religious beliels and polythelsm. While not recerving as much atlention as other pre-hjstoric religions, such as Wicca, Asatra and Odinism stem irom simiiar backgrounds. Both are evolulionary or reconstructed forms of religion practiced in Europe prior to the spread ol Christianity, meaning that they are moderf interprelations of praclices that may have taken difierent forms in the past. Asatra and Odinism are of interest to the law eniorcement community becalse many members of while supremacist organizations have chosen them as a white European allernalive to olher rejlgions.

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Asatru As A Warrior Religion

Asatru also has strong warrior ethics embodied in it. Nearly all of the Gods and goddesses have battle proficiencies of one sort or another. Ancient warriors called upon these war Gods and Goddesses to bless them in their battles.

Odin, sitting on Hlidskialf, proficient with the spear, magic and deception, represented intelligence warfare. Thor and his mighty Mjolnir represented fierce hand-to-hand combat. Many of the Goddesses also exhibited martial virtues. Frigga also shared Hlidskialf with Odin and was proficient in magic and deception. Freya garnered half of the fallen warriors to take back to her hall. The Valkyries, women warriors serving Odin, were known as fierce fighters as well. Without doubt, Asatru embodies a strong warrior ethic.

Perhaps most obvious of Asatru’s warrior spirit is embodied in one of its most recognized and used symbols: the hammer. The hammer represents Thor’s Mjollnir with which he smites the foes of the Aesir and Vanir. This symbol is almost universally recognized as Asatru’s symbol and shows that Asatru sees conflict as a key theme of the universe and being prepared for it and dealing with it are central obligations.

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Victory Or Valhalla The Final Compilation Of Writings

Book: Victory Or Valhalla The Final Compilation Of Writings by David Lane

David Lane was a prolific writer who tackled all of the issues imperative to the survival of our race. Some of the material contained in these pages will be familiar to those who have read Deceived, Damned & Defiant. However, this book also contains newer writings, including his fictional story "KD Rebel" as well as his last interview.

The 14 words created by David Lane are immortal words. The White Race is in great danger. This collection of writings by David Lane is fantastic. He was a "MAN AGAINST TIME". In Germany a lot of people know David Lane's 14 words. We also enjoy his great writings. David Lane had been a competent author with wide-ranging knowledge of the world. We must unite our race to survive.

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Asatru Community

The important point that I wish to make is that you, as a member of the Gothar, are a highly visible member of the greater Asatru Community. You must conduct your public, as well as private affairs in a way which is beyond approach. In effect, you must set an example for others to follow. Always conduct yourself with dignity and honor. For you are the last great hope for our Folk. Never forget your responsibilities to your Kindred, and work hard to develop your skills. You are an important link in the legacy and history of our people. The martyrs of the Saxon's Gothar never flinched when ordered to renounce Asatru or face beheading at the hands of Charlamagne's Holy Roman Empire. Nor did the Gothar of Norway who bravely defied "Saint" Olaf's edicts to submit to the throne and the Pope. We shall never forget the deeds of these heroes, and always honor their memory in our deeds.

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Introduction To The Elder Edda

Book: Introduction To The Elder Edda by John Ronald Tolkien

The Elder Edda is not a single continuous narrative, but a collection of poems, most of which are preserved in the Konungsbok, or Codex Regius (King's Book), copied in Iceland about A.D. 1270. The poems are the work of many poets. Their language suggests that they were composed between 800 and 1100 A.D. and first written down between 1150 and 1250 A.D. The poems are a rich source of information for culture and belief among the Vikings. They are not, however, purely Scandinavian. Christian Irish influence is likely, while the Sigurd story draws on actual events among the tribes that invaded the Roman Empire between 350-600 A.D.

The Elder Edda first came to scholarly attention in the seventeenth century as antiquarian interest in the non-classical past was growing in Europe. It was published in its entirety just as intense romantic and nationalistic interest in the perceived tribal Ancestors of the European nation states emerged towards the end of the eighteenth century. This interest, combined with the new science of philology, ensured popular and scholarly interest in texts like the Elder Edda. Some of the lays were available in bowdlerized versions even for children by the later nineteenth century. In the hands of Richard Wagner, the Elder Edda became the foundation of one of the century's masterpieces. While northern legends and the scholarship based on it were misused by the Nazis to develop and further their ideas of race, they are seriously misrepresented by such ideas. In the 1960s, the poet W. H. Auden in collaboration with an Old Norse scholar, Paul B. Taylor, produced a translation of sixteen of the poems.

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John Ronald Tolkien - Introduction To The Elder Edda

The Guardian Of The Rainbow

Fearing lest their enemies, the frost giants, should make their way over this bridge, which, connecting heaven and earth, ended under the shade of the mighty world tree Yggdrasil, close beside the fountain where Mimir kept guard, the Gods bade the white-clad Heimdall watch it night and day.

“Bifrost i’ th’ east shone forth in brightest green;
On its top, in snow-white sheen,
Heimdal at his post was seen.” - OEHLENSCHLAGER (Pigott’s tr.)

To enable their watchman to detect the approach of any enemy from afar, the assembled Gods gifted him with very keen senses, for he is said to be able to hear the grass grow on the hillside, and the wool on the sheep’s back, to see plainly one hundred miles off by night as well as by day, and to require less sleep than a bird.

“’Mongst shivering giants wider known
Than him who sits unmoved on high,
The guard of heaven, with sleepless eye.” - LAY OF SKIRNER (Herbert’s tr.)

Heimdall was further provided with a flashing sword and a marvelous trumpet, called Gjallarhorn, which the Gods bade him blow whenever he saw their enemies draw near, declaring that its sound would rouse all creatures in heaven, earth, and Niflheim; would announce that the last day had come and that the great battle was about to be fought.

“To battle the gods are called
By the ancient
Gjallar-horn.
Loud blows Heimdall,
His sound is in the air.” - SAEUND’S EDDA (Thorpe’s tr.)

To keep this instrument, which was a symbol of the moon crescent, ever at hand, Heimdall either hangs it on a branch of Yggdrasil above his head or sinks it in the waters of Mimir’s well, where it lay side by side with Odin’s eye, which is also an emblem of the moon at its full.

Heimdall’s palace, called Himinbiorg, was placed on the highest point of the bridge, and here the Gods often visit him to quaff the delicious mead which he sets before them.

“’Tis Himminbjorg called
Where Heimdal, they say,
Hath dwelling and rule.
There the gods’ warder drinks,
In peaceful old halls,
Gladsome the good mead.” - NORSE mythology (R. B. Anderson)

Heimdall, always clad in resplendent white armor, is therefore called the bright God, as well as the light, innocent, and graceful God, all which titles he fully deserves, for he is as good as beautiful, and all the Gods love him.

Connected on his mothers’ side with the sea, he was sometimes counted among the Vanas; and as the ancient Northerners, and especially the Icelanders, to whom the surrounding sea appeared the most important element, fancied that all things had risen out of it, they attributed to him a knowledge of all things and imagined him particularly wise.

“Then said Heimdall,
Of ?sir the brightest —
He well foresaw
Like other Vanir.” - SAEUND’S EDDA (Thorpe’s tr.)

This God is further distinguished by his golden teeth, which flash when he smiles, and won for him the surname of Gullintani (golden-toothed). He is also the proud possessor of a swift, golden-maned steed called Gull-top, which transports him to and fro over the quivering rainbow bridge. This he crosses many times a day, but particularly in the early morn, when he is considered a herald of the day and bore the name of Heim-dellinger.

“Early up Bifrost
Ran Ulfrun’s son,
The mighty hornblower
Of Himinbiorg.” -SAEUND’S EDDA (Thorpe’s tr.)

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Asatru Faq Part 1

What is Asatru?

Long before Christianity came to northern Europe, the people there - our ancestors - had their own religions. One of these was Asatru. It was practiced in the lands that are today Scandinavia, England, Germany, France, the Netherlands, and other countries as well. Asatru is the original or native religious belief for the peoples who lived in these regions.

What does the word "Asatru" mean?

It means, roughly, "belief in the Gods" in Old Norse, the language of ancient Scandinavia in which so much of our source material was written. Asatru is the name by which the Norsemen called their religion.

When did Asatru start?

Asatru is thousands of years old. Its beginnings are lost in prehistory, but it is older than Christianity, Islam, Buddhism, or most other religions. The spiritual impulses it expresses are as ancient as the European peoples themselves - at least 40,000 years, and perhaps much older.

Why do we need Asatru? Aren't most people who want religion satisfied with Christianity or one of the other "Established" religions?

People are attracted to the better-known religions because they have genuine spiritual needs which must be filled. People are looking for community and for answers to the "big questions": What life is all about, and how we should live it. For many people today, the so-called major faiths do not have answers that work. Asatru has answers, but it has not been an alternative for most seekers because they haven't known about it. Once they realize that there is another way - a better, more natural, more honorable way - they will not be satisfied with anything less than a return to the religion of their ancestors.

Why is the Religion of our Ancestors the Best One for Us?

Because we are more like our ancestors than we are like anyone else. We inherited not only their general physical appearance, but also their predominant mental, emotional, and spiritual traits. We think and feel more like they did; our basic needs are most like theirs. the religion which best expressed their innermost nature - Asatru - is better suited to us than is some other creed which started in the Middle East among people who are essentially different from us. Judaism, Islam, and Christianity are alien religions which do not truly speak to our souls.

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Goddess Idunna

Idunna is an important Goddess among the Aesir and Vanir for she guards the apples which give them eternal life. However, she can also be called upon for blessings in health and harvest. Her husband is Bragi. Idunn tends the youth-giving apples the gods must always eat in order to remain alive and young. (The Norse knew that all things die; men, worlds, and gods alike.) Her dwelling is in Brunnakr, and she is the other Goddess the giants always seek to kidnap.

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