Tuesday, December 28, 2010

Anglo Saxon Runes The Futhorc

Anglo Saxon Runes The Futhorc Image
The Futhorc runes, descended from the Elder Futhark, are what was used as a written language in pre-christian England. It shares the runes of the Elder Futhark, but has extra to cover the new phonetic sounds on the Old English spoken language. In total there are 33 Futhorc runes. The runes came to Britain around the third century AD.

The Runes were seen as having the ability to impart magickal properties, using the runes in the correct order was to create a spell...which is why the act to spell, putting letters in the right order for words, shares the same word as spell in a magickal sense.

The Anglo-Saxon, Futhorc runes, are described in the Rune Poem, each verse dealing with each individual rune, in order. The verses give a small insight into the meaning of the rune, which along with it's name, will give the diviner its true meaning. In the poem, each rune is taken in order, and has three lines describing it's power. Taking those line, and the translated name of the rune, enables you to build up the full meaning of that rune, calling up the knowledge from the depths of your subconscious.

One method of using these runes with a magickal intent is to create a bind rune - the overlaying of two or three runes to create a new sigil. These can be practical bindrunes, with a specific intent, or personal, using the maker's initials to increase personal power.

A charm can be created by taking the phonetic sounds of each rune and recreating a word or sentence. This would be the art of Galdor, and each charm could be chanted.

They were also used in a practical form, simply as a way of making a mark. It's not unknown for a runestone to be inscribed with the equivalent of "I woz ere".

And, of course, there's the divinatory aspect. Unlike today, divination wasn't the main use of the runes for the Anglo-Saxons. Though there are desciptions of the runes being used in this way.

Anglo-Saxon Rune Poem

"Feoh"

Wealth is a comfort to all men;

yet must every man bestow it freely,

if he wish to gain honour in the sight of the Lord.

"Ur"

The aurochs is proud and has great horns;

it is a very savage beast and fights with its horns;

a great ranger of the moors, it is a creature of mettle.

"Thorn"

The thorn is exceedingly sharp,

an evil thing for any knight to touch,

uncommonly severe on all who sit among them.

"Os"

The mouth is the source of all language,

a pillar of wisdom and a comfort to wise men,

a blessing and a joy to every knight.

"Rad"

Riding seems easy to every warrior while he is indoors

and very courageous to him who traverses the high-roads

on the back of a stout horse.

"Cen"

The torch is known to every living man by its pale, bright flame;

it always burns where princes sit within.

"Gyfu"

Generosity brings credit and honour, which support one's dignity;

it furnishes help and subsistence

to all broken men who are devoid of aught else.

"Wynn"

Bliss he enjoys who knows not suffering, sorrow nor anxiety,

and has prosperity and happiness and a good enough house.

"Haegl"

Hail is the whitest of grain;

it is whirled from the vault of heaven

and is tossed about by gusts of wind

and then it melts into water.

"Nyd"

Trouble is oppressive to the heart;

yet often it proves a source of help and salvation

to the children of men, to everyone who heeds it betimes.

"Is"

Ice is very cold and immeasurably slippery;

it glistens as clear as glass and most like to gems;

it is a floor wrought by the frost, fair to look upon.

"Ger"

Summer is a joy to men, when God, the holy King of Heaven,

suffers the earth to bring forth shining fruits

for rich and poor alike.

"Eoh"

The yew is a tree with rough bark,

hard and fast in the earth, supported by its roots,

a guardian of flame and a joy upon an estate.

"Peordh"

Peorth is a source of recreation and amusement to the great,

where warriors sit blithely together in the banqueting-hall.

"Eolh"

The Eolh-sedge is mostly to be found in a marsh;

it grows in the water and makes a ghastly wound,

covering with blood every warrior who touches it.

"Sigel"

The sun is ever a joy in the hopes of seafarers

when they journey away over the fishes' bath,

until the courser of the deep bears them to land.

"Tir"

Tiw is a guiding star; well does it keep faith with princes;

it is ever on its course over the mists of night and never fails.

"Beorc"

The poplar bears no fruit; yet without seed it brings forth suckers,

for it is generated from its leaves.

Splendid are its branches and gloriously adorned

its lofty crown which reaches to the skies.

"Eh"

The horse is a joy to princes in the presence of warriors.

A steed in the pride of its hoofs,

when rich men on horseback bandy words about it;

and it is ever a source of comfort to the restless.

"Mann"

The joyous man is dear to his kinsmen;

yet every man is doomed to fail his fellow,

since the Lord by his decree will commit the vile carrion to the earth.

"Lagu"

The ocean seems interminable to men,

if they venture on the rolling bark

and the waves of the sea terrify them

and the courser of the deep heed not its bridle.

"Ing"

Ing was first seen by men among the East-Danes,

till, followed by his chariot,

he departed eastwards over the waves.

So the Heardingas named the hero.

"Ethel"

An estate is very dear to every man,

if he can enjoy there in his house

whatever is right and proper in constant prosperity.

"Daeg"

Day, the glorious light of the Creator, is sent by the Lord;

it is beloved of men, a source of hope and happiness to rich and poor,

and of service to all.

"Ac"

The oak fattens the flesh of pigs for the children of men.

Often it traverses the gannet's bath,

and the ocean proves whether the oak keeps faith

in honourable fashion.

"AEsc"

The ash is exceedingly high and precious to men.

With its sturdy trunk it offers a stubborn resistance,

though attacked by many a man.

"Yr"

Yr is a source of joy and honour to every prince and knight;

it looks well on a horse and is a reliable equipment for a journey.

"Ior"

Iar is a river fish and yet it always feeds on land;

it has a fair abode encompassed by water, where it lives in happiness.

"Ear"

The grave is horrible to every knight,

when the corpse quickly begins to cool

and is laid in the bosom of the dark earth.

Prosperity declines, happiness passes away

and covenants are broken.

Love and hugs

Blaidd

Picture: from 7th century Franks Casket, depicting the Germanic legend of Weyland Smith and containing a riddle in Anglo-Saxon runes. Wikipedia.

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Wednesday, December 1, 2010

Criticism Of Religion

Criticism Of Religion Image
The debate about religion will perhaps never end. There will always be people who will oppose it as there will be those who will support it. The world is thus divided into two opposite camps - and perhaps there is no other issue over which opinion is so sharply divided.

Religion represent a human trait which is as old as the species itself. The debate about religion continues becaues it talks about things not susceptible to objective tests. For instance, God, Soul and Heaven.

But the point is not exactly that. RELIGION JUSTIFIES ITESELF BY THE RESULTS IT PRODUCES. IT MAY NOT BE ABLE TO EXPLAIN GOD, SOUL OR HEAVEN BUT IT CERTAIN CAN CHANGE A SINNER INTO A SAINT.

But how does it do so? Through the urge for progress that is innate in man. Religion will carry him further till he reaches a state where he feels he has no further to go. It is an impatience, restless, that is never to be satisfied short of the hightest and the best.

Excerpts from Practical Spirituality by Swami Lokeswarananda.

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Blessings,
Sadiq



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Saturday, October 16, 2010

English Old Norse Dictionary

English Old Norse Dictionary Cover

Book: English Old Norse Dictionary by Ross Arthur

You could, of course, print it and then consult it just as you would consult any other Dictionary It might be more useful to you, however, to keep it as an electronic Reference tool For one thing, you'll find that it serves also as an Old Norse to English Dictionary.

If you are now viewing this document within your Browser, I’d advise you to save it and examine it later. If it’s now saved on your computer, try using Acrobat’s Find feature, with the “Match Case” option turned off. I’ve created a special font to make it simpler to search for Old Norse

- To search for a vowel with an accent, just type that vowel and then a slash /
- To search for a hooked o (o,) just type o and then a comma
- To search for ae type a and then e.
- To search for oe type o and then e.
- To search for T type th.
- To search for D type dh.

Download Ross Arthur's eBook: English Old Norse Dictionary

Books in PDF format to read:

Robert Ellwood - The Encyclopedia Of World Religions
Max Heindel - Teachings Of An Initiate
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Anonymous - Witchcraft Dictionary
Ross Arthur - English Old Norse Dictionary

Wednesday, October 13, 2010

Yule Celebrations In Norway

Yule Celebrations In Norway Cover Yule or Yule-tide is a winter festival that was initially celebrated by the Historical Germanic Peoples as a pagan religious festival, though it was later absorbed into, and equated with, the Christian festival of Christmas. The festival was originally celebrated from late December to early January on a date determined by the lunar Germanic calendar. The festival was placed on December 25 when the Christian calendar (Julian calendar) was adopted. Some historians claim that the celebration is connected to the Wild Hunt or was influenced by Saturnalia, the Roman winter festival.

Terms with an etymological equivalent to “Yule” are still used in the Nordic Countries for the Christian Christmas, but also for other religious holidays of the season. In modern times this has gradually led to a more secular Tradition under the same name as Christmas. Yule is also used to a lesser extent in English-speaking countries to refer to Christmas. Customs such as the Yule log, Yule goat, Yule boar, Yule singing, and others stem from Yule. In modern times, Yule is observed as a cultural festival and also with religious rites by some Christians and by some Neopagans.

Although Yule proper starts with the chiming of the church-bells in the afternoon of julaften (“Yule Eve” or “Christmas Eve”) on December 24, the previous day lillejulaften (little Christmas Eve), when the tree is put up and decorated, is increasingly the actual start date for the 13 day long Yule celebration in Norway.

Julaften remains the main event, with a traditional lunch, dinner and the exchange of gifts. Traditional dishes vary by region, but ribbe (pork ribs), and pinnekjott, some places also codfish are eaten. As a continuation of older beliefs, a bowl of porridge is sometimes left outside for nisse that evening.

Throughout December many gather for a julebord, Christmas parties sponsored by companies and institutions for their employees and associates to eat and drink traditional dishes.

The time period between Christmas Eve and New Year’s Eve, is called romjul. Occasionally children dress up in costumes and visit neighbours, where they sing Yuletide carols and receive treats like candy, nuts and clementines. This tradition is called julebukk.

In the old days in certain areas, primarily Setesdalen, adults commonly went from house to house drinking, an event called Toftirus, during the 13 days surrounding Christmas eve. Although increasingly rare and localized, this tradition had developed into today’s Drammebukk, where adults visit neighbors in the evening.

For some it is a tradition to watch television shows on Yule Eve. The popular shows are “Tre Notter Til Askepott” (Three Nuts for Cinderella), a Czech-German fairy-tale, and “Reisen til Julestjernen”, a Norwegian film.
Shetland Islands

In the Shetland Islands of Scotland the Yules are considered to last a month beginning on December 18 and ending January 18. The main Yules celebration occurs on December 31. The rest of Scotland eventually adopted “Hogmanay” (the name of the New Years presents) as the name for the festival.

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Monday, October 4, 2010

The Galdrabok An Icelandic Grimoire

The Galdrabok An Icelandic Grimoire Cover

Book: The Galdrabok An Icelandic Grimoire by Stephen Flowers

The so-called Galdrabok,' or "Book of Magic," is the single most important document for understanding the practice of magic in late medieval Iceland. It is especially important in that it give, a unique insight into the various religio-magical elements that went into a synthetic national magical tradition in Iceland all the time of its compilation. No other document of comparable age gives so many details of the preservation of the archaic Germanic gods, cosmology, and magical practices as does this little manuscript. Here we are not dependent on folktales or indirect reports through confessions exacted by the tortures of the Inquistion or other churchly authorities to reconstruct the magicoreligious views of the galdramenn (magicians) of the day; instead, we have direct evidence of actual practices written by the magicians' own hands. In many ways the Galdrabok is to the Icelandic folktales of magic' what the runic inscriptions are to the accounts of magic recorded in the sagas. They provide factual corroboration of what otherwise might have been considered, form of fantasy.

In this volume the reader will find not only an annotated translation of the complete Galdrabok but also a similar treatment of selections from other written sources of Germanic magical practice from all of the Germanic peoples. However, in no region did the old ways and the old Gods and goddesses survive so well as in Iceland. And because we are focusing on these texts for what is uniquely Germanic about them, leaving as secondary what is common to every European tradition, we will concentrate mainly on Icelandic sources in this study. Our two principal areas of interest will be the preservation of the Old Gods and the preservation of the unique forms of Germanic magical practice inherited from the heathen age.

In preparing this work for modern publication, I've made every effort to remain true to the original text of the Gaklrabok. Irregularities in capitalization and spelling are left as in the original as they may have special meaning or significance.

Buy Stephen Flowers's book: The Galdrabok An Icelandic Grimoire

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Sunday, October 3, 2010

Ask And Embla

Ask And Embla Cover "All men and women are descendants from Ask and Embla, the primordial man and women who were found, as tree trunks on the strand, by Odin, Hoenir and Lodur and given life. Thus, Asatru is the legacy of all humans."

This is part of the lore of the Northern people. There are thousands of such stories told by cultures both ancient and modern, from the Old Testament to the interior of the Amazon today.

Humans in their tribal state were extremely ethnocentric, and often their various groupings bear names that mean something like "the true people" or "the real human beings" to distinguish themselves from their neighbors. Likewise, their creation myths tend to be ethnocentric and to pertain only to themselves - not to all of humankind, with which they are not particularly concerned.

To argue that all humans are descended of Ask and Embla is to say that the myths of every other native culture are wrong, and that only ours is right. From the Australian Outback to the depths of Africa, groups have their own explanations for how they came to be. It is the
height of arrogance to assume that our stories apply to them, and that the sacred tales of their own people are false. Unless we assume that their lore is inferior and inaccurate, we are forced to the logical conclusion that each group is right - so long as it speaks to its own people, and no other.

Indeed, to say that our creation story is the only true one is to deny the existence and validity of other peoples' Gods - for it imposes Odin, Hoenir, and Lodur upon these other folk, shoving their Gods rudely out of the picture and negating their own religious explanations for the nature of things. Most Asatruar would not support such religious imperialism. To say that ours is the "one, true" story of human origin smacks not only of religious intolerance but...well, racism!

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How To Form A Asatru Kindred

How To Form A Asatru Kindred Cover If you think that you have all the qualities of leadership and determination that are required of the Gothar, if you are willing to promote Asatru, the worship of the Holy Aesir and Vanir, and the right to self determination of our Folk... then I would encourage you to start that Kindred. The first place that I would look for members would be your own family and extended family. This is how many kindreds are formed today in Vinland. You certainly meet all of the criteria as defined by Webster, and thus have the greatest chance of success. Your family also has friends who may be interested in joining the Kindred.

You are fortunate today that the Asatru Alliance promotes the founding and growth of Kindreds, and that through the pages of our publication, Vor Tru, we reach many of the Folk. Over the past 8 years of the Alliance, we have brought many a reader seeking Kindred association in touch with those founding Kindreds and seeking members. As the Asatru Community grows, and the influence and distribution of Vor Tru increases, more and more people are both deciding to form new Kindreds, and to take the rightful place in the Community.

The most important advice that I could give anyone wishing to form a Kindred, is to choose your members carefully. It takes a tremendous amount of effort on your behalf, and you need people who have a positive attitude.

You will need people whom you can trust and depend on. People with negative attitudes only draw strength and vitality from you. They will sap your spiritual and physical strength, and you will fail in your purpose of forming a group of self-supportive people dedicated to making the Kindred succeed.

You must have members who you feel comfortable around and whom you can trust explicitly at Kindred gatherings and events. If some oddball or loose-canon type comes around, politely show them the door. You and your family, and the women and children of your group, should at all times feel safe and comfortable. If you have to spend all of your time worrying about so-and-so running amok, your Kindred will fail. Follow your instincts the AllFather gave them to you for just such reasons.

At first, it is more important to have a small, loyal, tightly knit group, than a large group with no cohesive purpose or goal. It is much easier to focus on your Kindred development with four or five individuals committed to making the Kindred work, than twenty people with twenty different ideas on what they think the Kindred should be. Once your group has established itself, and has developed a Kindred philosophy and a system of gatherings that works, then open up the Kindred to new membership a little at a time.

Over the years, I have seen one Kindred after the other explode onto the scene with a fast growing membership, lots of plans and boundless energy, only to see them fail. The Kindred leader, for one reason or another, didn't have a cohesive plan that worked. Or the leader was inconsistent with Kindred focus and goals, and kept changing the direction of the Kindred. For instance, he changes the name of the Kindred several times a year, one moment he is Asatru, the next Vanatru... or Odinn is his mentor today, and it is Thorr tomorrow. Indecisiveness, confusion, and just plain stupidity, will lead to failure. It is very important for the Kindred leader to be consistent and open in his plans for the group.

Next, one should always lead by example. As the founder and leader of a Kindred, people will look to you for guidance. Live true always be honest and honorable in your dealings with the Folk. You are a role model, and you must never forget it.

Learn to cultivate leadership traits in the members of your Kindred. Encourage people to take an active role during Kindred activities and planning. If someone has an idea and the ability to follow through with it, be supportive and helpful. As your Kindred grows, there will be plenty of work to go around.

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Runecaster Handbook The Well Of Wyrd

Runecaster Handbook The Well Of Wyrd Cover

Book: Runecaster Handbook The Well Of Wyrd by Edred Thorsson

This complete guide shows you how to: make your own runes; load the rune with harmonious power; prepare the optimum setting for a rune reading. Includes general rune meanings, divination tables, the positive and negative aspects of each rune, itslinguistic component and phonetic value, runic layouts, and sample readings. By the author of the best-selling, Futhark: Handbook of Rune Magic.

Edred Thorsson in my opinion is the best author for anything to do with Runes or Northern culture and magic. I have been studying Runes and Northern culture for 10 or so years now and his books are the only ones I have come accorss that strip things back to the beginning. The information in his books is probably the most accurate and truthful information you will get anywhere. I recommend his books to any and all, especially those starting out with this kind of thing as there are too many books out there to do with Runes etc, which are vague and misleading. Also there are too many books with Christian and new age (I Ching etc) twists which don't truthfully represent the Runes at all. Edred does!

A great book for anyone whishing to learn more about the runes. Offers a good starting point for beginners and also a great resource for the more advanced runester. I have all three of Thorsson's books in this series (Futhark, Runelore & the Well of Wyrd) together they are a fantastic resource and a great spring-board to the more advanced studies.

Highly recommend it!

Buy Edred Thorsson's book: Runecaster Handbook The Well Of Wyrd

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The Suppression Of Wyrd

The Suppression Of Wyrd Cover Why is it that references to the Wyrd are so few in number? Why is it that the concept of Wyrd has all but been forgotten for well over one thousand years? In fact, we are very lucky to have an, references left at all.

The answer to this searching question is that Wyrd was deliberately suppressed by the Christ-people. Why? Because the Wyrd, as the Supreme Cosmic Mind or Intelligence, would not fit in with the idea of a Judaic 'God' who professes domination over all 'his' creation. Nor would it fit the idea of his 'son', Jesus, as the Messiah or Saviour of mankind. So the Wyrd, as the actual intelligence behind creation, had to be suppressed.

In written works of the Old English period the thought of Wyrd as woven by three Goddesses was consciously played down by writers and copyists. In 'Beowulf', where the word 'Wyrd' occurs nine times, the poet has imagined 'God' as the Weaver, thus giving a veneer of Christianity to a purely pagan idea. Two centuries later the Christian writers no longer regarded 'God' as being subject to Wyrd, for Wyrd becomes subject to 'God', or regarded as one of his attributes.

"What we call Wyrd is really the work of God about which He is busy every day." - Alfred the Great.

Then followed the virtual suppression of Wyrd altogether, though not quite! For the Wyrd Sisters surfaced again in Chaucer's 'Legend of Good Women' - "The Wyrdys that we clepyn destine", and again around 1450 in 'The Court of Love' - "I eons the three of fatelle dentine that be our Werdes,"

Again the Wyrd Sisters raised their heads in 1605 as the Weird Sisters of Shakespeare's 'Macbeth'. Most interestingly they are portrayed as battle-maidens. (Though perhaps not surprisingly in view of the name 'Shakespeare' - spear-shaker!)

"First witch: When shall we three meet again?
In thunder, lightning and in rain?
Second witch: When the hurly-burly's done,
When the battle's lost and won."

Here we are reminded of 'Beowulf': "The Lord gave the people of the Waders webs to speed them in battle." It would appear that Shakespeare's source for the Weird Sisters was 'Holinshead's Chronicles', from which clearly the three sisters are associated with the time-continuum of Past, Present, Future: The first of them spoke and said: "All hails Makbeth, thane of Glamis!" (For he had lately entered into that dignities and office by the death of his father Sinell.) The second of them said: "Hails Makbeth, thane of Cawdor!" But the third said: "All hails Makbeth, that hereafter shall be King of Scotland!"

Interestingly, a woodcut from the first edition of the 'Chronicles' shows the sisters by a tree - obviously Yggdrasil! Despite the deliberate and systematic suppression of the Wyrd the concept arose from the Folk-soul at certain times. Of course the Cosmic Mind could never be fully suppressed and only fools would think that they could do so. The truth surfaces in the end! The Wyrd was at the beginning and is eternal, and the Sisters of Wyrd still weave the Web of Wyrd for Gods and Men and all things in the Nine Worlds.

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The Worship Of God Balder

The Worship Of God Balder Cover One of the most important festivals was held at the summer solstice, or midsummer’s eve, in honor of Balder the good, for it was considered the anniversary of his death and of his descent into the lower world. On that day, the longest in the year, all the people congregated out of doors, made great bonfires, and watched the sun, which in extreme Northern latitudes merely touches the horizon ere it rises upon a new day. From midsummer, the days gradually grow shorter, and the sun’s rays less warm, until the winter solstice, which was called the “Mother night,” as it was the longest in the year. Midsummer’s eve, once celebrated in honor of Balder, was usurped by the alien Christian subjugators and was from then on called St. John’s day, that saint used to entirely supplant Balder the Good.

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Pertho Rune

Pertho Rune Cover Pertho is one of the most mysterious Runes of the Elder Futhark. Before all it represents passing into the unknown or even initiation, but the term “initiation” can just as well be connected to Eihwaz as the Rune of death. This Rune can represent the female womb and the fertility cauldron of the mother Goddess. Its shape reminds one of a chalice, which is another association to the womb of the Goddess. The Rune itself signifies mystery, a mysterious event that changes one's life and leads him into a new state of consciousness or a new way of being. Because of this Pertho besides the womb represents a gate or a passage of every kind, but most often the one that leads into the unknown. By passing Eihwaz we have reached an unknown ground, a field we're facing to the first time, which can be caused by a change that has come to being in Eihwaz. But, Pertho can act independent from us and our facing ourselves, so the unexpected change can ensue, enacted by unknown forces. In which ever way you fall under the influence of this Rune, it will always signify a new beginning and a new life.

Divination:

Positive meaning: destiny, fertility, new beginning.

Negative meaning: unpleasant surprise, discovering an unpleasant secret, dangers in experimenting with the occult.

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Seidr Magic

Seidr Magic Cover

Book: Seidr Magic by Ed Richardson

Of all the reconstructed systems of archaic magickal practice, Seidr seems to be one of the most misunderstood. This is partly because of its sinister reputation, and partly because of sexist notions that only women ever practised divination. All too often Seidr is mistaken for the craft of the Volva, where in reality (if such a notion is useful) the Volvas were only part of a far wider practice. In order to make sense of the collection of beliefs and practices which make up Seidr, some definitions shall be considered, followed by a look at some of the practices involved and their implications. This whole essay shall illustrate examples found in the myths of Northern Europe.

Seidr literally means 'seething' or 'boiling' and has much in common with shamanism and other forms of primitive magick. Indeed it is highly likely that Seidr is an adaptation of shamanic practices to suit the culture and times, when primitive society evolved discovering religion, agriculture and metallurgy. However, Seidr is not a religious practice; it is a magickal practice which is where some of its sinister reputation originates. Jan Fries explains that the Seidr magickians would sell their craft, which makes them something akin to occult mercenaries. Its use is always pragmatic and is reflected as such in the myths. The myths play a vital role in understanding Northern magick as they show how the Aesir, Vanir, Giants and Humanity used magick to deal with problems, hinting at techniques that may be useful today.

Download Ed Richardson's eBook: Seidr Magic

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The Eddas The Keys To The Mysteries Of The North

The Eddas The Keys To The Mysteries Of The North Cover

Book: The Eddas The Keys To The Mysteries Of The North by James Allen Chisholm

This is a practical manual of self-transformation. It takes the form of a working edition of the mythological poems of the ancient Norse Poetic Edda for modern “pagans” who practice the magic and religion of the North. The poems of the Poetic Edda form the most complete and authentic body of surviving pre-Christian Germanic religious and magical lore. The mythological poems of the Elder Edda hold the keys to the understanding and practice of the pre-Christian religion of the Germanic peoples. This book enables the reader to fathom the
mysteries of the Eddic poems so that the elder Troth of the Gods of Europe may again be rightly hailed in holy groves, and the hidden wisdom of the rune-masters rediscovered. This book is especially practical for those who wish follow the authentic pre-Christian religion and magic of the English and other Teutonic folk.

A new translation of the mythological poems of the Edda is the main component of this work. The religious content is revealed with accuracy and clarity. Earlier renditions have been artful paraphrases by scholars who valued the poems as literary monuments, but disregarded the religious and mythic content as the nonsensical but amusing folklore of a more primitive world. None of them ever imagined that their audiences would include practitioners of the Eddic religion. The inaccuracies of such translations have led many modern pagans astray. This is the truest translation for purposes of understanding the religious content of the Poetic Edda.

For the rune-magicians, poetry was a powerful form of magic. The Eddas hold the wisdom of the Erulian Rune-Magicians, and many of these poems may be fathomed to incredible depths and heights, by those who know how to ask. This book is about asking. These poems provide sufficient material for an accurate reconstruction and revivification of the Odian religious and magical philosophies. These poems hold spells, invocations, and lore from which rituals, sacred dramas, and initiatory rites can be reconstructed or authentically created, as well as the keys to understanding the soul and the nine worlds of Yggdrasil - the world tree of the ancient North. Many of the keys are provided also for unlocking the secrets of mysteries of the cults of Thor, Tyr and the Vanir, though much of this lore is filtered through an Odian lens.

The Eddic poems are spells, in which the mysteries of the old lore are encoded by word, rhythm, alliteration, idea, and rune. The words of a given stanza are not juxtaposed merely because the resulting rhythms and word plays are pleasing, but because of there are deep magical resonances among such words. The impact of these magical stanzas perhaps may not be registered consciously, but the magic of Eddic lines reaches far below the shallow waters of mundane conscious understanding into the depths of the collective unconscious, into the realms where our souls mingle with the realms of the Gods. The power of the Eddic verses can be used for invocations and magical operations. It is the task of the modern elders (priests) and vitkis (magicians) to gain a conscious knowledge of the meanings and powers of these combinations of word, meter and rune. The stanzas of the Eddic poems hold the secrets of our Gods. It is the task of this book to provide the modern seeker with the keys to understanding deeper levels of meaning and to encode these into modern English for fashioning invocations to the Gods and for shaping powerful poetic staves in magic.

Download James Allen Chisholm's eBook: The Eddas The Keys To The Mysteries Of The North

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Northern Magic Rune Mysteries And Shamanism

Northern Magic Rune Mysteries And Shamanism Cover

Book: Northern Magic Rune Mysteries And Shamanism by Edred Thorsson

This in-depth primer of the magic of the Northern Way introduces the major concepts and
practices of Gothic or Germanic magic. From Pennsylvania Dutch hex-magic to Scandinavian
runes, Northern Magic explores the folk traditions, ancient lore, Germanic Mysteries, magic,
and wisdom of this ancient Germanic culture.

Another of Thorsson's masterpieces! I strongly recommend this book to all pagans who follow the Northern Way. I don't quite understand the bad reviews about Edred Thorsson being a satanist, he is quite far from it!

This is an excellent book for beginners of Asatru, due to the book wide variations of Norse paganism. This book covers many subjects and customs such as: The Troth, Runes, Hex-signs, Seith Magic, and much more. This book, however, is not in depth in these subjects, but a great introduction to them. If you are looking for information on Runes of the Elder Futhark, I wouldn't count on this book, however Thorsson introduces the Younger Futhark and covers them pretty well (one page on each rune, front and back!) I also recommend this book for the advanced, because it introduces new customs as well. Be sure to check out other books by Thorsson.

This is a really good reference for the very busy professional person who needs a clear presentation of ideas in a very short space. It would function as an excellent primer to Runelore and/or Futhark.

This book gives a really good quick overview of the Northern Way as it exists in its present remanifestation. In Chapter III, Dr. Thorsson explains the similarities and differences between the Troth, Rune-Galdor (operative rune magick), and Seith (norse shamanism) in a clear and concise manner.

Chapters IV and V explain Teutonic Cosmology and Theology in a quick, clear, and concise manner.

Dr. Thorsson does make a run at describing the Teutonic "soul" concept, but this is not as satisfying as the foregoing-described concise summaries.

Dr. Thorsson focuses on the younger runes and some home-grown Pennsylvania Dutch magick in this book, which might be interesting to some.

In my opinion, this book is most valuable for the quick summaries, and illustrations accompanying same, discussed above.

Since 1972, Edred Thorsson has been dedicated to the esoteric and esoteric study of the Indo-European, Celtic and Teutonic traditions. He studied Old Irish, Middle Welsh and Indo-European religion and culture at major universities in Germany and in the United States.

Buy Edred Thorsson's book: Northern Magic Rune Mysteries And Shamanism

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The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith

The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith Cover

Book: The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith by Francis Gummere

eowulf is often referred to as the first important work of literature in English, even though it was written in Old English, an ancient form of the language that slowly evolved into the English now spoken. Compared to modern English, Old English is heavily Germanic, with little influence from Latin or French. As English history developed, after the French Normans conquered the Anglo-Saxons in 1066, Old English was gradually broadened by offerings from those languages. Thus modern English is derived from a number of sources. As a result, its vocabulary is rich with synonyms. The word kingly, for instance, descends from the Anglo-Saxon word cyning, meaning “king,” while the synonym royal comes from a French word and the synonymregal from a Latin word.

Only a single manuscript of Beowulf survived the Anglo-Saxon era. For many centuries, the manuscript was all but forgotten, and, in the 1700s, it was nearly destroyed in a fire. It was not until the nineteenth century that widespread interest in the document emerged among scholars and translators of Old English. For the first hundred years of Beowulf’s prominence, interest in the poem was primarily historical—the text was viewed as a source of information about the Anglo-Saxon era. It was not until 1936, when the Oxford scholar J. R. R. Tolkien (who later wrote The Hobbit and The Lord of the Rings, works heavily influenced by Beowulf) published a groundbreaking paper entitled “Beowulf: The Monsters and the Critics” that the manuscript gained recognition as a serious work of art.

Beowulf is now widely taught and is often presented as the first important work of English literature, creating the impression that Beowulf is in some way the source of the English canon. But because it was not widely read until the 1800s and not widely regarded as an important artwork until the 1900s, Beowulf has had little direct impact on the development of English poetry. In fact, Chaucer, Shakespeare, Marlowe, Pope, Shelley, Keats, and most other important English writers before the 1930s had little or no knowledge of the epic. It was not until the mid-to-late twentieth century that Beowulf began to influence writers, and, since then, it has had a marked impact on the work of many important novelists and poets, including W. H. Auden, Geoffrey Hill, Ted Hughes, and Seamus Heaney, the 1995 recipient of the Nobel Prize in Literature, whose recent translation of the epic is the edition used for this SparkNote.

Download Francis Gummere's eBook: The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith

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Saturday, October 2, 2010

Asatru As A Folk Religion

Asatru As A Folk Religion Cover There are many traditions and practices that have been passed down through the generations and have survived attempts to eliminate them. Almost all of mainstream American festivals and holidays have their origins in pre-Christian Europe. Such things as Easter Eggs, Yule Trees and their decorations, celebration behaviors, adornment symbolism and other practices represent cultural patterns passed down through the generations from before Christianity dominated Europe. Marriage ceremonies, maritime practices, time-keeping practices and calendars all represent a continued cultural outlook, which has been passed between the generations.

Whereas these practices have been downplayed in the non-Asatruar sectors of American society, Asatruar have embraced them for what they are: surviving folk religion and cultural practices and beliefs. As a folk religion, Asatru adherents see themselves as promoting these surviving traditional values, cultural ideas and practices into the present day and into the future.

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God Vidar Shoe

God Vidar Shoe Cover Vidar is tall, strong, and handsome, has a broad-bladed sword, and besides his armor wears a great leather shoe. Vidar's "thick shoe" consists of all the leather waste pieces that Northern cobblers have cut from their own shoes at the toe and heel, collected by the God throughout all time. As it was very important that the shoe should be large and strong enough to resist the Fenris wolf’s sharp teeth at the last day, it became a matter of religious observance among Northern shoe-makers to give away as many odds and ends of leather as possible.

The Norns’ Prophecy

One day, when Vidar had joined his peers in Valhalla, they welcomed him gaily, for they all loved him and placed their reliance upon him, for they knew he would use his great strength in their favor in time of need. But after he had quaffed the golden mead, Allfather bade him accompany him to the Urdar fountain, where the Norns were busy weaving their web. When questioned by Odin concerning his future and Vidar’s destiny, the three sisters answered oracularly each by the following short sentences:

“Early begun.”
“Further spun.”
“One day done.”

To which their mother, Wyrd, the primitive goddess of fate, added: “With joy once more won.”

These mysterious answers would have remained totally unintelligible to the Gods, had she not gone on to explain that time progresses, that all must change, but that even if the father fell in the last battle, his son Vidar would be his avenger, and would live to rule over a regenerated world, after having conquered all his enemies.

“There sits Odin’s
Son on the horse’s back;
He will avenge his father.” - NORSE mythology (R. B. Anderson)

At Wyrd’s words the leaves of the world tree began to flutter as if agitated by a breeze, the eagle on its topmost bough flapped its wings, and the serpent Nidhug for a moment suspended its work of destruction at the roots of the tree. Grid, joining the father and son, rejoiced with Odin when she heard that their son was destined to survive the older Gods and to rule over the new heaven and earth.

“There dwell Vidar and Vale
In the gods’ holy seats,
When the fire of Surt is slaked.” - NORSE mythology (R. B. Anderson)

Vidar, however, said not a word, but slowly wended his way back to his palace Landvidi, in the heart of the primeval forest, where, sitting down upon his throne, he pondered long about eternity, futurity, and infinity. If he fathomed their secrets he never revealed them, for the ancients averred that he was “as silent as the grave” — a silence which indicated that no man knows what awaits him in the life to come.

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Does Asatru Have A Holy Book Like The Bible

Does Asatru Have A Holy Book Like The Bible Cover No. There are written sources which are useful to us because they contain much of our sacred lore in the form of myths and examples of right conduct, but we do not accept them as infallible or inspired documents. Any religion which does this is deceiving its members about the purity and precision of the written word. The various competing factions of Middle Eastern religions are proof of this. Their conflicting interpretations can not all be correct!

There are two real sources of holy truth, and neither expresses itself to us in words. One is the universe around us, which is a manifestation of the underlying divine essence. The other is the universe within us, passed down from our ancestors as instinct, emotion, innate predispositions, and perhaps even racial memory. By combining these sources of internal and external wisdom with the literature left us by our ancestors, we arrive at religious truths. This living spiritual guidance is better than any dusty, dogmatic "holy book", whose writings are often so ambiguous that even clerical scholars disagree and whose interpretations change with the politics of the times.

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Odin Owns Ye All

Odin Owns Ye All Cover (actual song and album title by Einherjer)

I sit by the fires gleam all by myself
Four empty chairs & one’ve been kept warm
I drink to my kinsmen who sails now with Njord
I drink to my kin who’ll drink here no more

Odin owns ye all

I sing to them songs I wish their best on their way
I’m sure a valkyrie found them in the battle that day
I drink to my kinsmen who fought bravely at sea
I drink to my kin who’ll be missed not just by me

Odin owns ye all

To arms To arms - The kinsmen said
They’ve chosen to meet us in battle today
Fight Fight - The kinsmen said
If we show true Norse courage they’ll soon run away
Wrong Wrong - The kinsmen thought
You cowards are fourty men may you rot in Hel
Rise Rise - The valkyries said
Odin decided this day you would die

I drink to my kinsmen
Who sails now with Njord
I drink to my kin
Who’ll drink here no more
I drink to my kinsmen
Who fought bravely at sea
I drink to my kin
Who’ll be missed not just by me

Odin owns ye all

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Your Ancestors Matter

Your Ancestors Matter Cover We Asatruar acknowledge our link to the clan, the family line of which we are a part. This article is intended to facilitate just such a remembrance. It is adapted from a new brochure available from the AFA - one of a series designed to make the central elements of Asatru more accessible to ordinary men and women.

There is a widespread belief in the modern Western world that Ancestors don't matter very much. This is particularly true of the Ancestors of European-Americans; among some writers and academics, "dead White male" is synonymous with irrelevance.

Luckily for us (and for the generations to come), a healthy interest in genealogy and family history defies this rootless, alienated worldview. Why do we care about our ancestors in a world that values self-satisfaction above all else? What does the deeper wisdom of our soul say about this? And just what is our relationship to those who have gone before us? Why does it all matter?

Native cultures in every part of the world revere their forebears. The American Indians, the Australian natives, African tribes, Asian peoples - all give special place to their kin who preceded them. Only in so-called modern societies, those most locked into the pursuit of material things and most distanced from the world of nature, have we forgotten the importance of the ancestral connection.

By ancient tradition, the barrier between the dead and the living is thinner at certain times of the year: Yule is one of these occasions, and the old Celtic festival of Samhain (popularly known as Halloween) is another. At these times, watch your dreams, and listen with your inner ear for the whispers of those of your line who have gone before.

There is much to be gained from the ancestors, and we have barely touched the possibilities in this short essay. Of course, they gave us the greatest gift of all, life itself - for if that golden chain of generations had been broken at any point, we would not be here! But we have our responsibilities, too. Above all, the family honor must be kept intact and the ancestors themselves must be given the high status they deserve. Obviously, we should do all we can to ensure that we have healthy children to continue the line into the future.

Once we understand the bond extending down the generations, we know that we can never truly be without family. Always there are the unseen ones, affecting events and reminding us that we are a part of a great stream of lives, seeking ever to express who and what we are.

Honoring the ancestors (who are, after all, us as we were before) is one of the three key principles to the European soul. The other ones are, respectively, the living of a life of courage and truth, and the right relationship with the Mighty Powers themselves.

The spiritual wisdom of the bold and free European tribes did not die out. It was suppressed - but it cannot be hidden forever, for it exists within us, the people who share this noble heritage!

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Asatru Faq Part 3

Asatru Faq Part 3 Cover We Keep Talking About the Vikings. Does This Mean That Asatru is Only for People of Scadinavian Ancestry?

No. Asatru, as practiced by the Norse peoples, had so much in common with the religion of the other Germanic tribes, and with their cousins the Celts, that it may be thought of as one version of a general European religion. Asatru is for all European peoples, whether or not their heritage is specifically Scandinavian.

What are the Basic Beliefs of Asatru?

We believe in an underlying, all-pervading divine energy or essence which is generally hidden from us, and which is beyond our immediate understanding. We further believe that this spiritual reality is interdependent with us - that we affect it, and it affects us.

We believe that this underlying divinity expresses itself to us in the forms of the Gods and Goddesses. Stories about these deities are like a sort of code, the mysterious "language" through which the divine reality speaks to us.

We believe in standards of behavior which are consistent with these spiritual truths and harmonious with our deepest being.

How Does Asatru Differ From Other Religions?

Asatru is unlike the better-known religions in many ways. Some of these are:

We are polytheistic. That is, we believe in a number of deities, including Goddesses as well as Gods. We do not accept the idea of "original sin", the notion that we are tainted from birth and intrinsically bad, as does Christianity. Thus, we do not need "saving".

The Middle Eastern religions teach either a hatred of other religions or a duty to convert others, often by force. They have often practiced these beliefs with cruel brutality.

We do not claim to be a universal religion or a faith for all of humankind. In fact, we don't think such a thing is possible or desirable. The different branches of humanity have different ways of looking at the world, each of which is valid for them. It is only right that they have different religions, which of course they do.

Do You Consider the Norse Myths to be True?

The myths are stories about the Gods and Goddesses of Asatru. They are ways of stating religious truths. That is, we would say they contain truths about the nature of divinity, our own nature, and the relationship between the two. We do not contend that the myths are literally true, as history.

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Rehabilitating The Fylfot

Rehabilitating The Fylfot Cover ONE of the most venerable signs of our religion, one of the most universal symbols of mankind's spiritual aspirations, and yet one of the most passionately controversial, is undoubtedly the fylfot, more commonly known as the swastika. This emblem has been used from time immemorial in heathen temples, in Christian churches and, indeed, in Jewish synagogues.

Various interpretations of its symbolic use amongst our ancestors have been put forward. For some it is the symbol of the cosmos revolving round the universal axis, Yggdrasil. For others it is equivalent to the sign of Thor's hammer, more usually identified with thunder and lightning. The most widely accepted interpretation is that it is the sun-wheel, a variant of the so-called Celtic cross, which is an equal-armed cross within a circle, and that it thus displays the ever-revolving disc of the sun spinning in the heavens. The sun is revered because it is the guarantor of both order and life; order, because the sun's unchanging revolutions are the surest indicator that the cosmos operates according to regular and certain principles; and life, because the sun is the source of all warmth and light, without which the world would become a barren wasteland.

The fylfot therefore symbolises everything that is good and positive and hopeful in creation, and everything that makes life worthwhile or possible. It says in times of sorrow, 'Life mist go on', and in times of joy, 'Life is worth living'. The same idea is expressed in the Sanskrit word 'swastika', which literally means 'well-being' or 'all is well'. Armed with this knowledge, we shall be more able to explain the sacred meaning of this particular feature of our religion to those who know no better. Our people are steeped in ignorance of their origins and heritage. It is not our job to blame them, but to educate and restore them to their rightful inheritance. This daunting task can only be achieved if we act with tact, discretion and sensitivity. The fylfot, like the runes, assumes a secretive nature, helpful to the wise, unhelpful to the decadent and ignorant masses.

A symbol means, after all, whatever it is understood to mean. If for the war veteran it means the enemy he fought in the last war, if for the war widow it means the cause of her loss, then that is what it means to them, regardless of what it means to Odinists. Thus to flaunt it heedlessly instead of educating our folk to understand its original and spiritual significance, will only alienate those whom we wish to win over.

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Yule Celebrations In Great Britain

Yule Celebrations In Great Britain Cover Yule or Yule-tide is a winter festival that was initially celebrated by the historical Germanic peoples as a pagan religious festival, though it was later absorbed into, and equated with, the Christian festival of Christmas. The festival was originally celebrated from late December to early January on a date determined by the lunar Germanic calendar. The festival was placed on December 25 when the Christian calendar (Julian calendar) was adopted. Some historians claim that the celebration is connected to the Wild Hunt or was influenced by Saturnalia, the Roman winter festival.

Terms with an etymological equivalent to “Yule” are still used in the Nordic Countries for the Christian Christmas, but also for other religious holidays of the season. In modern times this has gradually led to a more secular tradition under the same name as Christmas. Yule is also used to a lesser extent in English-speaking countries to refer to Christmas. Customs such as the Yule log, Yule goat, Yule boar, Yule singing, and others stem from Yule. In modern times, Yule is observed as a cultural festival and also with religious rites by some Christians and by some Neopagans.

In Britain and other parts of the British Influenced world, the modern Yule or Yuletide is more commonly associated with Christmas (along with Christmastide) which generally supplanted it around the 11th century other than in North East England where it remained the usual word (and had the variants of yel and yul), possibly being reinforced by the Norse influence (see Danelaw) on that region. It was revived in regular use in standard English during the 19th century however the name Yule log was recorded earlier in the 17th century.

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Asatru Poem The Temple Of Thor

Asatru Poem The Temple Of Thor Cover Three months ago,
The invaders came,
And destroyed The Temple of Thor.

I had spent most of my adult life,
Honoring the Mighty Thunderer,
And helping the Folk,
When they came to pray and make sacrifice.

Now all that stands upon that sacred Hill,
Is a small wooden building that they call a church.

All around the land,
Folk are being forced ,
To kneel before their strange God,
They tell us that,
His name is Christ.

I do not understand these strangers,
They worship a Dead man,
It is said that he is God over the whole earth.

The Folk are confused and fearful,
They do not know what to do.

Those that have refused to worship in there church,
Have been tortured and killed,
I have seen whole families cut down for defending the Old Ways.

They say Our Gods are false,
That they are Demons,
That their God is the only True God.

They have destroyed many of Our Sacred Places,
And built church's on the sites,
So many of Our ways,
They take and add to their's,
So that it will make the Folk more comfortable in worshipping their God Christ.

But what they seem not to know is that,
If you intend to remove a tree,
You must also gather the seeds that fall to the ground,
Otherwise they may sprout again.

Now with hope in my heart,
I look to future generations of the Folk,
That the seeds of the Old Ways will sprout again.

Slowly the Old Gods will awaken,
And grow in strength,
As the Folk find,
And gather the seeds of Old.

And then maybe one day,
The Temple of Thor,
Will be once again,
Be rebuilt upon this Sacred Hill.

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Blotar A Brief Guide To Asatru Ritual

Blotar A Brief Guide To Asatru Ritual Cover

Book: Blotar A Brief Guide To Asatru Ritual by Anthony Arndt

Blotar (the plural form of blot) strengthen the bonds between humans and the gods, our holy kin. With blotar we honor the gods in a social atmosphere and invite them to share in our celebrations and give them gifts in return for divine favor.

The blot bowl and plates laid out for the gods and Ancestors are taken outside and given to the gods and land wights. This is often done by depositing the offerings at the base of a tree, where animals can devour it on the behalf of the gods and wights, or by casting them into a sacred fire, thanking the gods and spirits.

Download Anthony Arndt's eBook: Blotar A Brief Guide To Asatru Ritual

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Crow Lore

Crow Lore Cover
Crow is a member of the corvid family which includes ravens, magpies and blue jays. They are found worldwide. These birds are highly intelligent, adaptable and omnivorous. They can be taught to communicate with people and to count. Crows are mischievous and like to steal shiny items, but are suspicious and shy. They are territorial and won't give up an area without a fight. They are loners, seeming to like to spend time to themselves.

Some crows live in flocks called murders and musters, nesting in tree tops. There are sentinels that warn of danger. These animals have a complex language. Other crows are solitary or live in pairs. They will kill sick animals and eat carcasses they find, which is beneficial to the environment. They are called by different names in Great Britain such as carrion crows, rooks and jack daws. While it is rare, white crows have been found.

Most European traditions view crow as bad omens, problems and death. Many AmerIndian tribes believed Crow was both keeper of the sacred law and trickster.

The Celts believed that Crow was an omen of death and conflict. She was associated with death transitions. Another belief was that the birds were faeries who shape-shifted to cause troubles. Magickal qualities included bringing knowledge, shape-shifting, eloquence, prophecy, boldness, skill, knowledge, cunning, trickery and thievery. In the Middle Ages, people believed that sorcerers and witches used the symbol of Crow's foot to cast death spells.

This bird is to be treated with care. Along with the raven, the crow is a symbol of conflict and death, an ill-omen associated with such Goddess as Macha,", and Morrigan. The Irish word for crow is", which is also the name of a Celtic war Goddess. Although the crow was ill-omened, it was also considered to be skillfull, cunning, and a bringer of knowledge. It teaches you to learn from the past, but not to hold onto it. It is of most value when trickery is in need.

In most of England, seeing a solitary crow meant anger, but in Northamptonshire, it meant ill fortune. Crow, cawing in a hoarse voice, meant bad weather. A death omen was a crow cawing thrice as it flew over a house. The Irish believed that Crow flocking in trees, but not nesting were souls from Purgatory. Finding a dead crow was a sign of good fortune. Russians believed that witches took the shape of Crow.

Some AmerIndian tribes believed Crow was the keeper of the sacred law and could shape-shift. He protected the sacred writings of Great Spirit. Crow is an omen of transformation. The bird has been associated with the Ghost Dance movement of 1890. Crow has no sense of time and lives in the Void, having the ability to the past, present and future at the same time.

The Alaskan Athapaskan tribe believed crow created the world. Crow is considered to be the entrance to the supernatural and is associated with illusion. Along with Coyote and Raven, Crow is considered trickster. According to the Alaskan Tanaina Tribe, Chuylen, Crow, can shape-shift into a young handsome man. In this shape, he can trick people into getting what he desires. When he is in the shape of a crow, he does the same to animals.

Crow has been likened to the trickster of Native American power animals, (Coyote). There was a man who hated crows because he thought they prevented him from trapping rabbits. He decided to try to frighten them by putting mirrors on the ground facing skyward so the birds would see their reflections and be scared away. Crow, a curious bird, was fascinated by the mirrors and decided to explore them. One by one, they desecrated the mirrors' surfaces, then flew into a tree and cackled at what they had done.

CROW MEDICINE


CROW - integrity and doing unto others as we would like them to do to us.

Crow teaches us to know ourselves beyond the limitations of one-dimensional thinking and laws. It is about bringing magic into our lives. This animal teaches to appreciate the many dimensions both of reality and ourselves, and to learn to trust our intuition and personal integrity. There is magic wherever crows are. They give us the message that there is magic alive in our world and this magic is ours to use and create a new world for ourselves with.

Crow is the left-handed guardian. Crow knows the unknowable mysteries of creation and is the keeper of all sacred law. There are several species of crow. Raven is one of these and magpies are another. Crow medicine people are masters of illusion. Do not try to figure crow out. It is the power of the unknown at work, and something special is about to happen.

Crow is also the guardian of ceremonial magic and healing. In any healing circle, Crow is present. Crow guides the magic of healing and the change in consciousness that will bring about a new reality and dispel "dis-ease" or illness. You can rest assure when ever crows are around, magic is near by and you are about to experience a change in consciousness. Crow can give you the courage to enter the darkness of the void, which is the home of all that is not yet in form.

If you have a crow as a totem, you need to be willing to walk your talk and speak your truth. You must put aside your fear of being a voice in the wilderness and "caw" the shots as you see them. Crow is an omen of change. If he keeps appearing to you he may be telling you that you have a powerful voice when addressing issues that you do not quite understand or feel that they are out of balance.

Crows are the bringer of messages from the spirit world, and is thought to dwell beyond the realm of time and space.

When you meet crow, he could be telling you that there will be changes in your life and that possibly you should step by the usual way you view reality and look into the inner realms...walk your talk... be prepared to let go of your old thinking and embrace a new way of viewing yourself and the world.

Crow is the sacred keeper of the law. Crow medicine signifies a firsthand knowledge of a higher order of right and wrong than that indicated by the laws created in human culture. With Crow medicine, you speak in a powerful voice when addressing issues that for you seem out of harmony, out of balance, out of whack, or unjust.

When you learn to allow your personal integrity to be your guide, your sense of feeling alone will vanish. Your personal will can then emerge so that you will stand in your truth. The prime path of true Crow people says to be mindful of your opinions and actions. Be willing to walk your talk, speak your truth, know your life's mission, and balance past, present, and future in the now. Shape shift that old reality and become your future self. Allow the bending of physical laws to aid in creating the shape shifted world of peace.

MORE ABOUT CROWS:


Crows are very vocal birds. They are sly and often deceptive in their actions. Crows have been known to build false nests high in treetops to confuse predators. The height of their nests give them the opportunity to watch everything that is going on around them. Many cultures think of crow as the keeper of knowledge for nothing escapes their keen sight.

Crows travel in groups and make mischief in teams. As one crow explores something new, others will watch closely to see what happens and then learn from it. In this way they seem to always be in council with each other. They often raise a ruckus when hunters are around, warning deer and other birds. Crows recognize possible danger and always post lookouts when feeding thier most vulnerable time.

Their language is complex and they have a remarkable voice range. Each caw has its own meaning. Sometimes crow warns of impending danger. Other times it signals a time to join in council and make decisions. Listening to crow can teach those with this medicine how to hear the truth of what is being said.

The striking black color of crow represents the color of creation. It is the womb out of which the new is born. Black the color of night gives birth to the light of a new day. Crow is a daytime bird reminding us that magic and creation are present in both. Their ability to shift between the known and unknown world indicates new journeys.

Because crow is adaptable to all environments and will eat almost anything they can survive in almost any situation. Crow is associated with magic, unseen forces and spiritual strength. If crow flies into your life, get out of your familiar nest, look beyond your present range of vision, listen to its caw and act accordingly.

Collected from various sources including: Animal Speak by Ted Andrews.

Read more about crows and crow magic here.



Also try this free pdf e-books:

Tuesday Lobsang Rampa - Chapters Of Life
Tuesday Lobsang Rampa - You Forever
Michael Prescott - Darklore

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