Asatru As A Social Movement

To some degree, Asatru represents dissatisfaction with the meaningless and lack of spirituality offered us by mainstream society. In this way, Asatru can be seen as a social movement seeking increased ethnic identity, spirituality, and meaning in our lives. Whereas greater society seeks to impose a universalism where our own cultural and religious identities are seen as meaningless, adherents of Asatru reject those views by embracing the religion of their ancestors and making it a meaningful presence in their lives today.

There’s no doubt that Asatru saw a resurgence as a romantic movement through the 1960’s and 1970’s, but contemporary Asatru, although embracing many aspects of romanticism, has sought to be a practical, spiritual and visionary statement about where our lives should be and where they should go. We are seeing ourselves become better organized and mobilized as a religious movement.

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The Children Of Odin The Book Of Northern Myths

Book: The Children Of Odin The Book Of Northern Myths by Padraic Colum

Master storyteller Padraic Colum's rich, musical voice captures all the magic and majesty of the Norse sagas in his retellings of the adventures of the Gods and goddesses who lived in the Northern paradise of Asgard before the dawn of history.

Here are the matchless tales of All-Father Odin, who crosses the Rainbow Bridge to walk among men in Midgard and sacrifices his right eye to drink from the Well of Wisdom; of Thor, whose mighty hammer defends Asgard; of Loki, whose mischievous cunning leads him to treachery against the gods; of giants, dragons, dwarfs and Valkyries; and of the terrible last battle that destroyed their world.

These ancient Stories From Northern Europe, which make up one of the great myth cycles of Western civilization, spring to life in The Children of Odin. This classic volume, first published in 1920 and reissued in 1962, is now available for the first time in paperback, Illustrated with the original line drawings by Willy Pogany, to inspire a new generation of readers.

The late Padraic Colum was a poet, playwright, founder of the Irish Review and a leader of the Irish Renaissance, but he is perhaps best known today for his outstanding books for children. He was awarded the Regina Medal in 1961 for his "distinguished contribution to children's literature," honoring works like The Children's Homer, The Golden Fleece (a Newbery Honor Book), The Arabian Nights, The King of Ireland's Son and Roofs of Gold.

Padraic Colum (1881-1972) was a poet, a playwright, and a leader of the Irish Renaissance, but he is best known for his works for children, including The Children of Odin and The Golden Fleece (a newbery honor book).

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Asatru Is Nature Religion What Deos That Mean

We treasure the spiritual awe, the feeling of "connecting" with the Gods and Goddesses, which can come from experiencing and appreciating the beauty and majesty of Nature. Our deities act in and through natural law. By working in harmony with Nature we can become co-workers with the Gods. This attitude removes the opposition between "natural" and "supernatural" and between religion and science.

For us, following a "Nature religion" means recognizing that we are part of Nature, subject to all its laws, even when that offends our Christian-influenced misconceptions. We may be Gods-in-the-making, but we are also members of the animal kingdom - a noble heritage in its own right. Our Ancestors and their predecessors prevailed through billions of years of unimaginable challenges, a feat which must awe even the Gods themselves.

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Introduction To The Runes Some Frequently Asked Questions

Book: Introduction To The Runes Some Frequently Asked Questions by The Troth

A futhark is a runic alphabet. Just as the word “alphabet” comes from the names of the first two Greek letters, alpha and beta, the word “futhark” comes from the first six runic letters: F, U, Th, A, R and K. This flyer focuses on the oldest runic alphabet, the Elder Futhark. Different futharks were used at different times and places; the Elder Futhark is a little different from the Anglo-Saxon or Scandinavian Futharks.

Where and when did the runes originate? The runic letters were derived from an alphabet used in north Italy, related in turn to the Latin alphabet. The letters were modified for easier carving in wood, and to express sounds not used in Latin. Their shapes were also influenced by preliterate signs that the Germanic Peoples carved for religious or magical purposes. The oldest runic inscription, on a medallion found at Meldorf, Germany, dates from the first century. Use of runes in Scandinavia continued into the 14th century, and
in a few areas even later.

In Heathen myth, the runes were first grasped by the god Odin, after an ordeal in which he hung from the World Tree for nine nights, pierced by a spear. Odin later gave knowledge of the runes to all beings, and rune knowledge was taught to humans by the god Heimdall. These myths refer not so much to the origin of the letters, but rather to grasping the meanings and connections that the letters represent. This wisdom is a great gift to us.

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Sidelights On Teutonic History During The Migration Period

Book: Sidelights On Teutonic History During The Migration Period by Mg Clarke

THE following chapters are the outcome of two periods of stud}7 undertaken during the tenure of research scholarships awarded by Girton College, and form an attempt to discover the amount of historical truth under lying the allusions to persons and events in the Old English heroic poems. The essay deals with an aspect of these poems, which has not, so far as I know, been treated systematically byanyone who has previously written on the subject. Thus, in the absence of any model, I have had to work on independent lines, especially as regards the grouping and arrangement of different traditions, and the method of discussion followed in the several chapters. The actual arrangement has been adopted for convenience of discus sion, according to the nationality of the persons concerned, except in cases where a particular section forms a complete epic narrative with a personal (as opposed to a national) interest of its own: in these cases the tradition has been discussed under the heading of the poem in which it is contained, or that of the character round whom the
narrative centres.

Each chapter is arranged thus :

I. An account of the tradition respecting the nation or hero in question, pieced together from the scattered allusions in the poems.
II. The evidence of other authorities dealing with the same traditions or with the same characters.
III. A comparative view of the evidence of these authorities in its relation to the substance of the Old English poems.
IV. A summary of the inferences as to historical truth which may justifiably be deduced from the allusions in the poems.

The positive results obtained are often extremely meagre, and in no case do they make any claim to finality. Though much work has been done in this direction, much still remains: and any value which this study may possess lies chiefly in exploring new possibilities and in indicating the paths along which further research may in time lead to more definite conclusions.

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