Saturday, October 22, 2005

Folkish Vs Universalist Odinism Or Odinism Vs Asatru

Folkish Vs Universalist Odinism Or Odinism Vs Asatru Cover An important line is drawn within the Odinist community. The ideas of Universal Odinism and Folkish Odinism matter very much, both to the practitioners of the religion and those studying it. Along with this is the idea of Odinism verses Asatruism. Gardell writes about the distinction. “Nonracist Asatru is a polytheistic Spiritual Path that welcomes and genuinely interested person irrespective of race or ethnicity. Dismissing nonracist Asatru as an effeminate New Age Corruption, the racist position defines Asatru/Odinism as an expression of the Aryan racial soul and hence an exclusive creed open to whites only.”

Universal Odinists (“Nonracist Asatru”) tend to reflect the more “new age” tenants of the faith, holding the view that anyone who believes or “is called” (Generally by Odin) can be an Odinist without respect to heritage or ethnicity. This is not to say that they are not serious about their faith and practices, nor that their beliefs do not reflect their heritage, only that they do not see this as a prerequisite to their faith. It is important to note that this belief was probably more closely shared with the original Odinists than what the Folkish Odinists believe. Race is mostly a social construction, and Vikings tended to be very good at assimilation, as well as apt to for relationships with people who were not Norse themselves—their religion would not have been exclusively for other Vikings (Gardell). A good example of this attitude is “Ufheddin the Odinist”, who responded to a short survey asking about his beliefs. When asked about who can become an Odinist, his answer was short and sweet. “Anyone drawn to the path with the strength and will to endure it.” “Osgot the Odinist” shared this belief, “Anyone can become an Odinist if they truly understand what that means, and accept both the belief and the way of life that accompanies it. Being an Odinist is a personal choice. You do not need to be inducted or invited to a community. You simply decide to be so, and begin.” Although reliable numbers are hard to find, this stance seems to be the view of most Odinists. Many Odinists and Odinist groups take measures to distance themselves not only from overtly racist Interpretations of their faith, but also from any indication that race or ethnic heritage has any part in their religion.

“It has been the sad fate of Asatru to have had our faith highjacked by some subhuman maggots who are trying to hitch their sick and twisted political wagon to our faith.It is the position of The Raven Kindred, Asatru Today, myself personally, and all legitimate Asatruar that race and ethnicity are completely irrelevant to Asatru and Norse Paganism. Asatru is a religion. It is open to anyone who wishes to join it. Those persons who would limit its membership on the basis of race, sex, sexual preference, or other such criteria are not only mentally challenged, but are traitors to the Gods. If the Gods call someone to their service, it is not our business to deny them based on their genetic origin. To do so is to go against the Gods, and thus is to commit treason against Asgard.”

The flipside of this view is the Folkish Odinists. This is the group that believes Norse blood is required to legitimately worship the Old Norse gods. This is where the line between religion and racism becomes blurred—especially given the fact that many people may not “look the part” but may in fact have more Norse blood in them than someone with blonde hair and blue eyes (genes can be tricky like that). These are generally the people who will point to the fact that (almost) every culture has its own pagan or heathen ancestral religion to be perused.

Even within Folkish Odinism there exists a division, one that is made both by Odinists themselves and academics. Some (classified as “Ethnic Odinists”) define Odinism as a heritage—their ancestors somehow link them to this set of spiritual beliefs. Of course, this contains an odd logic jump somehow connecting genetics to spirituality. Other Folkish Odinists are overtly racist. One estimate states that it is probably no more than fifteen percent of practicing Odinists who take an overtly racist approach to their Interpretation and practices, although the number of “ethnic” Odinists is probably much higher.

Timothy G. Baysinger, in the Journal of Homeland Security Affairs, further describes the distinction, and classifies those who are more right-wing and white-supremacist as “Odinist” while allowing the title of “Asatru” to those who take a nonracist approach. Unlike most other scholars, Baysinger does not seem to make much of a distinction between “ethnic Odinists” and “racist Odinists” seemingly because the only real feature that distinguishes one group from the other is the level of action. Baysinger discusses important differences in theology and interpretation between the two groups. Baysinger's Odinism vs. Asatru:

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Odinism
Rejection of Christianity in favor of Norse gods—attracts followers using the promise of fraternal relations and a flexible belief system
Right-wing and white-supremacist
“Accept the validity of conspiracies [especially involving Jews] when viewing the events of history.”
Use of the “warrior principle” in ideology—leads to (attempted or planned) retaliation for “perceived past injustices.”
“Hold racist feelings and opinions…merge[d] with racial mysticism”
“Oversimplification of complex information associated with the revitalized tribal ideas of the Vikings.”
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Asatru
Rejection of Christianity in favor of Norse gods—attracts followers using the promise of fraternal relations and a flexible belief system
Rejection of white-supremacist ideology
Most do not embrace conspiracy theories of history
May or may not believe in/embrace the “warrior principle” but generally will not apply it to revenge for past events
Rejection of racist ideas
“Do not accept efforts to simplify their reconstruction of the communal, magical, and religions practices as they apply to modern society.”
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Betty A. Dobratz offers another criterion for differentiating between Odinists who use their religion to further racist or white nationalist goals and those who simply believe in following one’s own heritage. “The development of racial pride is key in distinguishing whites who belong to this movement from whites who do not.” She quotes research done in the 1970’s which points out that most white supremacists are unable to see the distinction between culture and race, an essential difference for most people. Of course, the definition of what constitutes “race” has also changed dramatically over time, moving from largely being viewed as something innate that really did separate people to a purely social construction to something that is somewhere in between, although now scientific studies of race may group people who look nothing like each other based purely on genetics. Dobratz points out the tricky nature of pinning down a definition, especially among white supremacists. “The sociopsychological view of racism ‘has in fact ignored the most central feature of racialism, namely the meaning of race to the racialist.” White supremacists tend to view the terms “racism” and “racist” as positive ones—simply as someone who loves his race (here we see the confusion between race and culture). “It in no way means hate for any other race, it simply means love for my own race,” said one man she interviewed. She is also careful to note that the distinction between racial and nonracial Odinists is often blurred—how do we tell the difference between pride and racial mysticism?

Free eBooks (Can Be Downloaded):

Gottfried De Purucker - Occult Glossary A Compendium Of Oriental And Theosophical Terms
Stephen Mcnallen - What Is Asatru
Anonymous - Worship And Spirituality During And Between The Asatru Holidays
Anonymous - Odinism And Asatru
Hermes Trismegistus - Book Ix A Universal Sermon To Asclepius

Wednesday, October 12, 2005

Inguz Rune

Inguz Rune Cover This Rune is connected to Frey, the God of fertility, i.e. with the king Ing, who started the Ingling dynasty. According to legend, during king Ing's rule his lands were more fertile than ever, so Ing, i.e. Frey, was deified after his death, and became a fertility God. Therefore, Ingwaz is connected to fertility, but this fertility – unlike Pertho's – is connected most of all with the creative power of a man. The shape of Ingwaz bears an uncanny resemblance to a seed, and as such this Rune can symbolize at the same time a sperm as well as a plant seed, but as well as a seed, that is a beginning of an interesting idea, a beginning of a good business project. In Ingwaz a person fortifies his or her position and directs to the final goal – Othala. Just like Frey lead his warriors, so Inguz leads a person towards self-realization and enlightenment. Passing through the whole Futhark a person has accomplished a lot and now all that remains is to gather the fruits of one's labour and rule his kingdom like Frey in Upssala. All goals in life are now realized and one is in perfect harmony with the world.

Divination:

Positive meaning: male fertility, growth, accomplishment, pregnancy.

Negative meaning: impotence, lack of goals, abilities that have not yet been awakened.

Free eBooks (Can Be Downloaded):

Aleister Crowley - Rodin In Rime
Bernard King - Meanings Of The Runes
Karl Hans Welz - Armanen Runes
Samael Aun Weor - Magic Runes

Sunday, October 9, 2005

Reconstructionist Paganism An Extremely Brief Guide

Reconstructionist Paganism An Extremely Brief Guide Cover

Book: Reconstructionist Paganism An Extremely Brief Guide by The Troth

Many people in reconstructionist groups enjoy dressing in period costume, trying traditional crafts or foods or games or combat styles, and so on. Some gain spiritual satisfaction from doing so—and besides, it can be a lot of fun. But our religions are meant to be meaningful to us, here and now. We’re modern people, with modern-day concerns: we can never be Egyptians of 1300 BC, or Vikings of 800 AD, or Romans of 100 AD—nor should we try. Furthermore, there are some aspects of ancient cultures that really should not be brought back, such as slavery and human sacrifice. But we believe that our ancient religions, and the cultures of which they were integral parts, do contain much that is deeply true for us now, and that should be brought back into the world.

Download The Troth's eBook: Reconstructionist Paganism An Extremely Brief Guide

Free eBooks (Can Be Downloaded):

The Troth - Gods Of The Heaten Way A Brief Guide
James Braid - Magic Witchcraft Animal Magnetism And Electro Biology
Lynn Thorndike - A History Of Magic And Experimental Science
Richard Roy - 13 Questions On Paganism And Wicca
The Troth - Reconstructionist Paganism An Extremely Brief Guide

Wednesday, September 28, 2005

Odinism In White Supremacist Music

Odinism In White Supremacist Music Cover “Music is the most effective propaganda tool ever. It brings racists together into a so-called ‘music scene’ that lets them spread their message almost innocently. Because while a young person probably wouldn’t even read a racist flier, they’ll listen to a tape or CD 15, 20 times and slowly get into the lyrics that way,” Devon Burghart, director of an Oak Park community group opposing racist activities.

If religion provides a common framework and communal group identity, so does music—and possibly in an even more socially acceptable and under-the-radar way than religion. After all, walking around with an Mp3 player is much less conspicuous than with a swastika tattoo.

The United States has the 2nd largest market in the world for racist music—just barely behind Germany. Because of Extremely strict anti-hate speech laws in many (most) European countries, many white supremacist bands have come to the U.S., with its much more liberal first amendment, to record and distribute their messages.

Former operator of the Swedish Midgard music label says that he has seen a surge in interest in white power music with Odinist themes—although he in no way believes this is for religious reasons. “It’s not so much to pray, but to honor the nature and power of white people,” he says. Mark Potak, editor of The Southern Poverty Law Center’s journal speaks about the strategy behind white supremacist music. “They’re disguising the message behind different kinds of themes, especially Celtic and Norse mythology. There is a very strong need among white supremacists to create a mythic past…this mythic past allows them a world view, instead of just saying, ‘I hate black people.’”

Burghart also explains how Odinic white supremacist music relates to the bigger plans of white supremacists. Not only does it help create a mythic past and group identity, he explains that there is basically cross-marketing, where white supremacist groups pass out music at meetings and bands promote these groups at their shows. He ends with, “This is all a strategy. You see, its one thing to identify a small crew of racist skinheads. It’s harder if they’re integrated into a bigger arena. The idea now is to move into new and broader scenes, to infiltrate not only politically, but socially, economically, and culturally” (read the article here).

Books in PDF format to read:

Aleister Crowley - Book 4 Part Iii Magick In Theory And Practice
Anonymous - Odinism And Asatru
Jone Salomonsen - Enchanted Feminism The Reclaiming Witches Of San Francisco
Aleister Crowley - Songs Of The Spirit
Frater Fp - Sigils In Theory And Practice

Friday, September 23, 2005

Poetic Edda Edda Saeundar Hinns Froda

Poetic Edda Edda Saeundar Hinns Froda Cover

Book: Poetic Edda Edda Saeundar Hinns Froda by Benjamin Thorpe

Saemund, son of Sigfus, the reputed collector of the poems bearing his name, which is sometimes Also Called the Elder, and the Poetic, Edda, was of a highly distinguished family, being descended in a direct line from King Harald Hildetonn. He was born at Oddi, his paternal dwelling in the south of Iceland, between the years 1054 and 1057, or about 50 years after the establishment by law of the Christian religion in that island; hence it is easy to imagine that many heathens, or baptized favourers of the old mythic songs of heathenism, may have lived in his days and imparted to him the lays of the times of old, which his unfettered mind induced him to hand down to posterity.

The youth of Saemund was passed in travel and study, in Germany and France, and, according to some accounts, in Italy. His cousin John ogmundson, who later became first bishop of Holum, and after his death was received among the number of saints, when on his way to Rome, fell in with his youthful kinsman, and took him back with him to Iceland, in the year 1076. Saemund afterwards became a priest at Oddi, where he instructed many young men in useful learning; but the effects of which were not improbably such as to the common people might appear as Witchcraft or magic: and, indeed, Saemund's predilection for the sagas and songs of the old heathen times (even for the magical ones) was so well known, that among his countrymen there were some who regarded him as a great sorcerer, though chiefly in what is called white or innocuous and defensive sorcery, a repute which still clings to his memory among the common people of Iceland, and will long adhere to it through the numerous and popular stories regarding him (some of them highly entertaining) that are orally transmitted from generation to generation.

Download Benjamin Thorpe's eBook: Poetic Edda Edda Saeundar Hinns Froda

Free eBooks (Can Be Downloaded):

Snorri Sturlson - The Prose Edda Ver 2
Loptsson - Icelandic Poetry Or The Edda Of Saemund
Benjamin Thorpe - Poetic Edda Edda Saeundar Hinns Froda

Sunday, September 11, 2005

Goddess Frigga

Goddess Frigga Cover Frigga, queen of Asgard, is also a strong seeker of knowledge and wisdom. Matron of marriage and the domestic arts, she is associated with the tools of cloth weaving: the distaff and spindle. She presides over health and home. She is the wife of Odin and mother of Thor and Balder. She is also known to us as the AllMother.

Frigga is queen of the gods, wife of Odin, ruler of his household. Her habitation is called Fensalir. She is a patron of marriage. She is said to be most wise, and to know the destiny of all men. She keeps silent on these matters to all but Odin, whom she advises. She has definite interests in Midgard and can get into power struggles with Odin over just how things should get resolved. In these struggles Odin seems to inevitably lose. She also seems to have a rivalry with some of Odin's other wives and lovers.

Free eBooks (Can Be Downloaded):

Robert Anton Wilson - Prometheus Rising
Anonymous - Confessio Fraternitatis
Franceska De Grandis - Be A Goddess
Franceska De Grandis - Goddess Initiation

Saturday, September 10, 2005

The Myth Of The Ragnarok

The Myth Of The Ragnarok Cover THE myth of the Ragnarok is perhaps the best known of all the Teutonic myths. People who know nothing of Odinism often know of the cataclysmic destruction of the gods.

Even amongst Odinists the subject of Ragnarok can lead to a cloud of melancholy. Like all myths it can be applied to our personal Experiences but I want now to deal with its epic aspect and why rather than allow a feeling of gloom to descend on us we ought to see it as an affirmation of our being and our direct contact with our gods. The 'destruction of the gods' aspect has usually been greatly overplayed. This is not surprising when we consider that those whose writings of it we have were either Christian or at the very least Christian influenced. Contrary to the belief of some there is much evidence to show that Snorri Sturluson far from being a pagan was a Christian who was skilled in the art of disinformation, and the reverence he is sometimes shown is of questionable justification.

The Ragnarok myth shows how gods and men make a final stand against the overwhelming forces of destruction. This in itself can exude a kind of 'doomed romance' aura. There is a great attraction in the idea of going out in a blaze of glory for it can indeed be seen as a noble act. When we look around today at the evil forces besieging us this feeling of doom can lead to a sense of futility - the weak give up without a fight while even many of the strong overreact and waste themselves in foolhardy and foredoomed schemes.

The emphasis on the twilight of the gods aspect has left an impression that our gods will be lost to us. Non-Odinists seldom realise that gods and man alike return to a purer realm. Even Odinists sometimes don't pay that triumph the attention it demands. Not only do gods and men return but their apparent demise in one manifestation affirms their direct Relationship to us. Odinists believe in the reality of this life. It is a celebration of life and the gods are manifest in that life, not separate from it.

Christianity could never have a Ragnarok because the Christian god is not part of life. In Christian eyes this world, this life, is worthless and inherently corrupt. In the Odinist's it is the affirmation of the gods and not some sort of mistake. Cur gods are real and alive because they are manifest in the substance of this life and thus subject to the same events. The Ragnarok shows clearly the cycle of birth, death, rebirth which is behind all creation. If the gods were not part of this they would be beyond our reach; the fact that they are is a triumph of being.

We cannot control the cycle or laws of nature for we are part of it but we can choose whether we are to live a noble life or a worthless one. We can choose in our daily lives whether to stand, proud to defend family and our holy religion, fully knowing our limitations and our inevitable passing from this world, but we don't wait idly for that passing. And we know that rebirth awaits. The Ragnarok clearly shows that continuance: from the ashes a new and purer order arises, just as green shoots push up through the ashes of a forest fire.

The myth of Ragnarok clearly shows our link with the gods and with the cycle of creation. Far from being pessimistic it is an occasion of victory.

Books in PDF format to read:

Max Heindel - The Message Of The Stars
Franz Cumont - The Mysteries Of Mithra
Pyotr Demianovich Ouspenskii - The Symbolism Of The Tarot
Alice Hoffman - The Book Of The Sagas