Showing posts with label book of shadows. Show all posts
Showing posts with label book of shadows. Show all posts

Monday, October 4, 2010

The Galdrabok An Icelandic Grimoire

The Galdrabok An Icelandic Grimoire Cover

Book: The Galdrabok An Icelandic Grimoire by Stephen Flowers

The so-called Galdrabok,' or "Book of Magic," is the single most important document for understanding the practice of magic in late medieval Iceland. It is especially important in that it give, a unique insight into the various religio-magical elements that went into a synthetic national magical tradition in Iceland all the time of its compilation. No other document of comparable age gives so many details of the preservation of the archaic Germanic gods, cosmology, and magical practices as does this little manuscript. Here we are not dependent on folktales or indirect reports through confessions exacted by the tortures of the Inquistion or other churchly authorities to reconstruct the magicoreligious views of the galdramenn (magicians) of the day; instead, we have direct evidence of actual practices written by the magicians' own hands. In many ways the Galdrabok is to the Icelandic folktales of magic' what the runic inscriptions are to the accounts of magic recorded in the sagas. They provide factual corroboration of what otherwise might have been considered, form of fantasy.

In this volume the reader will find not only an annotated translation of the complete Galdrabok but also a similar treatment of selections from other written sources of Germanic magical practice from all of the Germanic peoples. However, in no region did the old ways and the old Gods and goddesses survive so well as in Iceland. And because we are focusing on these texts for what is uniquely Germanic about them, leaving as secondary what is common to every European tradition, we will concentrate mainly on Icelandic sources in this study. Our two principal areas of interest will be the preservation of the Old Gods and the preservation of the unique forms of Germanic magical practice inherited from the heathen age.

In preparing this work for modern publication, I've made every effort to remain true to the original text of the Gaklrabok. Irregularities in capitalization and spelling are left as in the original as they may have special meaning or significance.

Buy Stephen Flowers's book: The Galdrabok An Icelandic Grimoire

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Sunday, October 3, 2010

Runecaster Handbook The Well Of Wyrd

Runecaster Handbook The Well Of Wyrd Cover

Book: Runecaster Handbook The Well Of Wyrd by Edred Thorsson

This complete guide shows you how to: make your own runes; load the rune with harmonious power; prepare the optimum setting for a rune reading. Includes general rune meanings, divination tables, the positive and negative aspects of each rune, itslinguistic component and phonetic value, runic layouts, and sample readings. By the author of the best-selling, Futhark: Handbook of Rune Magic.

Edred Thorsson in my opinion is the best author for anything to do with Runes or Northern culture and magic. I have been studying Runes and Northern culture for 10 or so years now and his books are the only ones I have come accorss that strip things back to the beginning. The information in his books is probably the most accurate and truthful information you will get anywhere. I recommend his books to any and all, especially those starting out with this kind of thing as there are too many books out there to do with Runes etc, which are vague and misleading. Also there are too many books with Christian and new age (I Ching etc) twists which don't truthfully represent the Runes at all. Edred does!

A great book for anyone whishing to learn more about the runes. Offers a good starting point for beginners and also a great resource for the more advanced runester. I have all three of Thorsson's books in this series (Futhark, Runelore & the Well of Wyrd) together they are a fantastic resource and a great spring-board to the more advanced studies.

Highly recommend it!

Buy Edred Thorsson's book: Runecaster Handbook The Well Of Wyrd

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The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith

The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith Cover

Book: The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith by Francis Gummere

eowulf is often referred to as the first important work of literature in English, even though it was written in Old English, an ancient form of the language that slowly evolved into the English now spoken. Compared to modern English, Old English is heavily Germanic, with little influence from Latin or French. As English history developed, after the French Normans conquered the Anglo-Saxons in 1066, Old English was gradually broadened by offerings from those languages. Thus modern English is derived from a number of sources. As a result, its vocabulary is rich with synonyms. The word kingly, for instance, descends from the Anglo-Saxon word cyning, meaning “king,” while the synonym royal comes from a French word and the synonymregal from a Latin word.

Only a single manuscript of Beowulf survived the Anglo-Saxon era. For many centuries, the manuscript was all but forgotten, and, in the 1700s, it was nearly destroyed in a fire. It was not until the nineteenth century that widespread interest in the document emerged among scholars and translators of Old English. For the first hundred years of Beowulf’s prominence, interest in the poem was primarily historical—the text was viewed as a source of information about the Anglo-Saxon era. It was not until 1936, when the Oxford scholar J. R. R. Tolkien (who later wrote The Hobbit and The Lord of the Rings, works heavily influenced by Beowulf) published a groundbreaking paper entitled “Beowulf: The Monsters and the Critics” that the manuscript gained recognition as a serious work of art.

Beowulf is now widely taught and is often presented as the first important work of English literature, creating the impression that Beowulf is in some way the source of the English canon. But because it was not widely read until the 1800s and not widely regarded as an important artwork until the 1900s, Beowulf has had little direct impact on the development of English poetry. In fact, Chaucer, Shakespeare, Marlowe, Pope, Shelley, Keats, and most other important English writers before the 1930s had little or no knowledge of the epic. It was not until the mid-to-late twentieth century that Beowulf began to influence writers, and, since then, it has had a marked impact on the work of many important novelists and poets, including W. H. Auden, Geoffrey Hill, Ted Hughes, and Seamus Heaney, the 1995 recipient of the Nobel Prize in Literature, whose recent translation of the epic is the edition used for this SparkNote.

Download Francis Gummere's eBook: The Oldest English Epic Beowulf Finnsburg Waldere Deor Widsith

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Saturday, October 2, 2010

Does Asatru Have A Holy Book Like The Bible

Does Asatru Have A Holy Book Like The Bible Cover No. There are written sources which are useful to us because they contain much of our sacred lore in the form of myths and examples of right conduct, but we do not accept them as infallible or inspired documents. Any religion which does this is deceiving its members about the purity and precision of the written word. The various competing factions of Middle Eastern religions are proof of this. Their conflicting interpretations can not all be correct!

There are two real sources of holy truth, and neither expresses itself to us in words. One is the universe around us, which is a manifestation of the underlying divine essence. The other is the universe within us, passed down from our ancestors as instinct, emotion, innate predispositions, and perhaps even racial memory. By combining these sources of internal and external wisdom with the literature left us by our ancestors, we arrive at religious truths. This living spiritual guidance is better than any dusty, dogmatic "holy book", whose writings are often so ambiguous that even clerical scholars disagree and whose interpretations change with the politics of the times.

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Odin Owns Ye All

Odin Owns Ye All Cover (actual song and album title by Einherjer)

I sit by the fires gleam all by myself
Four empty chairs & one’ve been kept warm
I drink to my kinsmen who sails now with Njord
I drink to my kin who’ll drink here no more

Odin owns ye all

I sing to them songs I wish their best on their way
I’m sure a valkyrie found them in the battle that day
I drink to my kinsmen who fought bravely at sea
I drink to my kin who’ll be missed not just by me

Odin owns ye all

To arms To arms - The kinsmen said
They’ve chosen to meet us in battle today
Fight Fight - The kinsmen said
If we show true Norse courage they’ll soon run away
Wrong Wrong - The kinsmen thought
You cowards are fourty men may you rot in Hel
Rise Rise - The valkyries said
Odin decided this day you would die

I drink to my kinsmen
Who sails now with Njord
I drink to my kin
Who’ll drink here no more
I drink to my kinsmen
Who fought bravely at sea
I drink to my kin
Who’ll be missed not just by me

Odin owns ye all

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Rehabilitating The Fylfot

Rehabilitating The Fylfot Cover ONE of the most venerable signs of our religion, one of the most universal symbols of mankind's spiritual aspirations, and yet one of the most passionately controversial, is undoubtedly the fylfot, more commonly known as the swastika. This emblem has been used from time immemorial in heathen temples, in Christian churches and, indeed, in Jewish synagogues.

Various interpretations of its symbolic use amongst our ancestors have been put forward. For some it is the symbol of the cosmos revolving round the universal axis, Yggdrasil. For others it is equivalent to the sign of Thor's hammer, more usually identified with thunder and lightning. The most widely accepted interpretation is that it is the sun-wheel, a variant of the so-called Celtic cross, which is an equal-armed cross within a circle, and that it thus displays the ever-revolving disc of the sun spinning in the heavens. The sun is revered because it is the guarantor of both order and life; order, because the sun's unchanging revolutions are the surest indicator that the cosmos operates according to regular and certain principles; and life, because the sun is the source of all warmth and light, without which the world would become a barren wasteland.

The fylfot therefore symbolises everything that is good and positive and hopeful in creation, and everything that makes life worthwhile or possible. It says in times of sorrow, 'Life mist go on', and in times of joy, 'Life is worth living'. The same idea is expressed in the Sanskrit word 'swastika', which literally means 'well-being' or 'all is well'. Armed with this knowledge, we shall be more able to explain the sacred meaning of this particular feature of our religion to those who know no better. Our people are steeped in ignorance of their origins and heritage. It is not our job to blame them, but to educate and restore them to their rightful inheritance. This daunting task can only be achieved if we act with tact, discretion and sensitivity. The fylfot, like the runes, assumes a secretive nature, helpful to the wise, unhelpful to the decadent and ignorant masses.

A symbol means, after all, whatever it is understood to mean. If for the war veteran it means the enemy he fought in the last war, if for the war widow it means the cause of her loss, then that is what it means to them, regardless of what it means to Odinists. Thus to flaunt it heedlessly instead of educating our folk to understand its original and spiritual significance, will only alienate those whom we wish to win over.

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Asatru Poem The Temple Of Thor

Asatru Poem The Temple Of Thor Cover Three months ago,
The invaders came,
And destroyed The Temple of Thor.

I had spent most of my adult life,
Honoring the Mighty Thunderer,
And helping the Folk,
When they came to pray and make sacrifice.

Now all that stands upon that sacred Hill,
Is a small wooden building that they call a church.

All around the land,
Folk are being forced ,
To kneel before their strange God,
They tell us that,
His name is Christ.

I do not understand these strangers,
They worship a Dead man,
It is said that he is God over the whole earth.

The Folk are confused and fearful,
They do not know what to do.

Those that have refused to worship in there church,
Have been tortured and killed,
I have seen whole families cut down for defending the Old Ways.

They say Our Gods are false,
That they are Demons,
That their God is the only True God.

They have destroyed many of Our Sacred Places,
And built church's on the sites,
So many of Our ways,
They take and add to their's,
So that it will make the Folk more comfortable in worshipping their God Christ.

But what they seem not to know is that,
If you intend to remove a tree,
You must also gather the seeds that fall to the ground,
Otherwise they may sprout again.

Now with hope in my heart,
I look to future generations of the Folk,
That the seeds of the Old Ways will sprout again.

Slowly the Old Gods will awaken,
And grow in strength,
As the Folk find,
And gather the seeds of Old.

And then maybe one day,
The Temple of Thor,
Will be once again,
Be rebuilt upon this Sacred Hill.

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Thursday, September 30, 2010

Norse Mythology Legends Of Gods And Heroes

Norse Mythology Legends Of Gods And Heroes Cover

Book: Norse Mythology Legends Of Gods And Heroes by Peter Andreas Munch

The Norwegian original on which the present translation is based was written by Peter Andreas Munch, the founder of the Norwegian school of history. Munch’s scholarly interests embraced also many related subjects, such as general history, archaeology, geography, ethnography, linguistics, and jurisprudence. His varied labors have in large part stood the test of time. His most important work, the “History of the Norwegian People” (Det norske folks historie, 8 vols. 1851–63) covering the period of Norway’s ancient independence ending with the Kalmar Union of 1397, still remains a source book and a point of departure for historians. The great significance of Munch’s scholarship lies in its influence upon the modern renascence of Norwegian culture. In the middle of the nineteenth century he was the most conspicuous intellectual force in the country, as Wergeland had been before him and as Bjornson came to be after him. The national spirit in Norway, which has steadily gained strength, owes a heavy debt to the gifted leaders of an earlier generation, not least among whom was Munch. As an historian, as an editor of Old Norse poetry and saga, as a recorder of the venerable myths and legends of the race, he did yeoman service in establishing a sense of historical continuity between the Norway of the past and the Norway of the present. Since his day, Norwegians have labored in the fields of history, folklore, and related subjects, deepening and strengthening that fruitful sense of national consciousness which he did so much to awaken.

Munch’s handbook of Norse Mythology, which first appeared in 1840, was originally written as a supplementary volume to a school text on the history of Norway, Sweden, and Denmark. As a book for students and as a work of general reference it has maintained its popularity. The third edition (1922) from which the translation is made, was prepared by Professor Magnus Olsen of the University of Oslo, in response to the demand for an up-to-date treatment of the entire subject. He found it advisable, however, to revise Munch’s work rather than to attempt a wholly original book, since he was thus able to incorporate the results of later research in a volume which had long enjoyed both popular and scholarly approval. The value of Munch’s work has been greatly increased through Professor Olsen’s revision.

The English translation is intended as a companion volume to two other books published in the SCANDINAVIAN CLASSICS series, The Prose Edda, translated by Arthur Gilchrist Brodeur, and The Poetic Edda, translated by Henry Adams Bellows. Norse mythology will serve alike the student of Old Norse literature, and the general reader who seeks an authoritative guide through the world of Northern myth and legend. My thanks are due to Professor Magnus Olsen for permission to translate the work, and to Professor William Witherle Lawrence, of Columbia University, Chairman of the Publications Committee of the American-Scandinavian Foundation, for many valuable suggestions. - S. B. H.

Download Peter Andreas Munch's eBook: Norse Mythology Legends Of Gods And Heroes

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Wednesday, September 29, 2010

Germanic People Runes

Germanic People Runes Cover Runes were known to Germanic peoples of the far North long before the Viking age began. The very beginnings of the use of the Runes are unknown, but the Vikings believed that the God Odin got them by hanging on the tree Yggdrasil. The name of this alphabet - Futhark, came to being by just taking the first letters of the first six Runes. Thousands of Runic inscriptions were uncovered on territories where the Vikings once roamed, sometimes even far from the borders of their lands. The inscriptions were most often engraved in stone, but there are examples of Runes engraved in metal, wood, bones and horns. Their use was varied: some were used just as road marks, while others would contain more serious texts. It's those inscriptions that hold invaluable informations for us about the life of the Nordic peoples. Most of them were made to honour the dead, however all these inscriptions also contain some other interesting information – founding of administrative centres, land ownership, oversea voyages, family relations, individual wealth, a person's status or even the beauty of a woman. Naturally, not all the Rune stones have survived to date. A lot of them were destroyed by Christian priests who thought these stones brought back memories of the pagan past. Others were destroyed by ignorants who didn't realize their worth and mostly used them as building material. Unfortunately, these cultural Heritage artefacts are destroyed even today, by various vandals; nevertheless, this happens a lot less than before.

There are three types of Futhark: Elder, Anglo-Saxon and the Younger Futhark. The Elder Futhark was used up to the 5th century A.D.; it consisted of 24 Runes divided into three groups called aettir(“families”). Anglo-Saxon Futhark was created in Britain during the 5th century A.D. by Anglo-Saxon peoples (Saxons, Angles); it was used until the 11th century. The Younger (Scandinavian) Futhark was used sporadically in Scandinavia, most of all Denmark and Sweden up to the 17th century. This alphabet was most often found engraved on jewellery, stones, weapons, wood, but very little on the discovered manuscripts. Here, we will explore the Elder Futhark, the oldest Runic alphabet used in parts of Europe populated by Germanic peoples, including Scandinavia; this is also the the Futhark we consider to be the most functional.

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Runes For Transformation Using Ancient Symbols To Change Your Life

Runes For Transformation Using Ancient Symbols To Change Your Life Cover

Book: Runes For Transformation Using Ancient Symbols To Change Your Life by Kaedrich Olsen

Runes have long been used as vital tools for transformation. The Norse employed them as tools for communication, and the Vikings would use them as wisdom before embarking on a journey or entering battle. Runic scholar Kaedrich Olsen reclaims the transformative power of the runes for readers today as a key to unlocking our potential for personal growth and our life's vision. Runes for Transformation is unlike any other rune book on the market, with Olsen's unique techniques and applications for this ancient alphabet including affirmations, NLP, visualizations, and meditation, as well as the historical background essential to embarking on this path. A highly respected teacher and transpersonal path worker, Kaedrich Olsen posits that the time for this "deeper working" of the runes has come and this will aid readers in both personal and collective evolution. Runes for Transformation is a rich resource and excellent guide for readers to take the steps to change their lives with a boldly modern approach to the ancient runes and for "change that really matters."

While runes are commonly used for divination, this book delves more deeply into their mysteries. It is an excellent resource for someone who wishes to use them in magic and provides helpful exercises for developing a personal connection with them. I found the section on bindrunes and runic power words to be particularly useful. If you are solely focused on using runes in divination, this may not be ideal for you at this point in your studies, although it does give excellent perspectives on the the runes from different angles, which will improve your understanding of their meanings. The primary focus of this book is on using the runes for personal growth and the discussion of their divinatory use is limited to only a couple of pages. If you are new to the runes, this may not be the best place to start, as it seems a bit more advanced to me. If you are someone who is looking for something beyond the new age fluff books on runes that are floating around out there, this may be perfect for you.

Kaedrich Olson has provided a new perspective on runeology for the students of runelore. While many have looked for magik within the Runes, Kaedrich brings us a method for finding the magik within ourselves, and using these combined powers to transform our lives, and the lives of others. This is a "must read" for students and scholars alike.

Kaedrich Olsen has studied the runes and Northern mysteries for over 20 years. He also studied spiritually based hypnotherapy and Shamanism in order to become a transpersonal hypnotherapist. Within this practice, he applies runic wisdom to develop powerful techniques his clients use to transform their lives. Kaedrich lives in Boulder, Colorado with his wife and two daughters, where he is an accomplished leader in the Nordic spiritual community.

Buy Kaedrich Olsen's book: Runes For Transformation Using Ancient Symbols To Change Your Life

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Magic Runes

Magic Runes Cover

Book: Magic Runes by Samael Aun Weor

I have been trying to share with you the importance of bringing the Runes and the gods/goddesses of the North into the 21st Century. No longer should we run around in the woods with our axes and swords, drinking mead (unless we want to for FUN), asking the gods/goddesses to help us. Asking the runes to help us. If we had the power to invoke Odin, Thor or TYR into our blot or our rituals. What would we do with them?

Runes and Odin and the gods/goddesses of the North belong in the 21st Century, in the Age of Aquarius, the Age of the Internet and Quantum Physics. No longer can we pray to them to do it for us. We must ask the gods and the runes how to do it and give us the energies to do it with. It is erroneous to keep the Runes shackled to the Viking Age. All the literature we have about the magic of runes is shadowed in parables, paradoxes and enigmas. The Laws of Quantum Physics broke through the mystery of the magic of runes symbols. Runes were never meant for divination. Runes were never meant to be used as an alphabet.

Runes are Universal Creative Energies. Magical rune symbols are just that. Magical rune symbols that connect us to the runic energy of the Quantum Ocean (Mind of God).

Download Samael Aun Weor's eBook: Magic Runes

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Shamanism And The Image Of The Teutonic Deity Odin

Shamanism And The Image Of The Teutonic Deity Odin Cover

Book: Shamanism And The Image Of The Teutonic Deity Odin by Asbjorn Jon

The Seidre were shamanic folk who travelled from community to community speaking with the Other-world on behalf of the townspeople they visited. They would question the recently-deceased loved ones and ask favors of the gods through the town's dead kinfolk. It was believed that they were also able to obtain special favors for individuals from their passed-on relatives. Such favors might be something like a priestess who may ask that her grandmother endow her with the family's power in her physical body in this lifetime, rather than waiting for it to be bestowed on her. Many of the Germanic and Slavic peoples believed the power was passed from family member to famlily member on the death of the preceding generation's head witch- but it sometimes skipped a generation or two, and the newly-deprived head honcho of the family's witchery would likely feel inclined to ask why. The Seidre could ask this question for them.

Also, as a group, the community might be inclined to ask for a particularly good harvest, protection from flooding in the spring, a light snow-fall during winter, or an easy freeze instead of a harsh and windy winter. In the event of some mystery, such as who committed a murder that had no suspect, they might also be able find this out by asking the deceased or a representative of one of the gods or Goddesses "who-dunnit".

The Seidre were also known as Bien-Sheidre. "Bien" is a French word meaning "excellent or beneficient"- now where does that fit in?? Was it a late-comer in the naming game? Or does it even matter here? So many questions. Most may not even be relevant, but I would not consider myself to have done very thorough research if I did not ask them all.

I believe the term to be a late addition from upper regions of France, since it is likely that by the time the Teutonic tradition was thoroughly rooted in Germanic cultures, they would have probably made contact and begun trading with French peoples from that region- indeed had probably done so for a thousand years or more. There is evidence of sea-travel up and down the coast of Prehistoric Europe- the routes from Italy to Gaul and the Rhineland areas (what would later be parts of Germany, via The Danube and Rhine Rivers) were travelled regularly in small boats. Even the occassional trip to Britain and Ireland was not unknown. It would certainly make sense to have a Seidre bless your trip, and then carry them across the water as extra protection!




Download Asbjorn Jon's eBook: Shamanism And The Image Of The Teutonic Deity Odin

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Tuesday, September 28, 2010

Doctor Beowulf Guide To Runes

Doctor Beowulf Guide To Runes Cover

Book: Doctor Beowulf Guide To Runes by The Troth

The Troth is a religious organization, dedicated to exploring, practicing and promoting the pre-Christian religion of the Germanic peoples, who include the English, Norse, Icelanders, Swedes and Germans, among others. Our religion today is known by various names, including Asatru, Heathenry, the Elder Troth, Theodism, and others. Although there are many variations in beliefs and practices within this faith, we all share a defining personal loyalty to, or "Troth" with, the Gods and Goddesses of the Northlands, such as Odin, Thor, Frigga, and many others; a deep respect for our Germanic religious, cultural and historical heritage; and a strong determination to practice the moral principles followed by our noble predecessors.

The Troth publishes a quarterly magazine, Idunna, along with other writings on heathen belief and practice. We serve as a networking organization for individuals and kindreds, and we try to assist our members to form local groups to practice our religion and make it more widely available. Once a year, the Troth sponsors a major gathering, Trothmoot, at which members and interested folks conduct workshops and ceremonies, and discuss and demonstrate their many skills and practices. The Troth also operates a clergy training program, incorporating both academic study of lore and theology and training in ceremonial practice, group organization, and counseling. We are incorporated as a non-profit religious corporation in the state of Texas, and are recognized by the U.S. Internal Revenue Service as a tax-exempt religious organization.

The Troth believes that the Gods call whom they will—regardless of race, ethnic origin, gender, or sexual orientation. To hear their call is a joy, an honor, and also a duty. If you hear that call, and if you are willing to live by our values and honor our Gods, then we invite you to take your place among friends and kin, and bring new honor and strength to our ancient Heathen faith.

Download The Troth's eBook: Doctor Beowulf Guide To Runes

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Siegfried Adolf Kummer Rune Magic

Siegfried Adolf Kummer Rune Magic Cover

Book: Siegfried Adolf Kummer Rune Magic by Edred Thorsson

In this volume Thorsson preserves the text unaltered from its first appearance just a year before the National Socialists came to power in Germany. Sections of Rune-Magic will be found to be controversial by some, but Runa-Raven feels that for the sake of historical accuracy, and as a sign of respect for the intelligence of the reader, the text should stand as originally written in 1932. We must seek to preserve the roots of the Runic tradition where ever we find them. These roots are to be studied and understood/or the value they have. For no one knows what wisdom might rise from these roots in the is-to-be.

Siegfried Adolf Kummer was born in 1899 and was one of the pioneers of operative Runic studies in the early part of the 20th century. Little is known of his life or of his fate in the wake of the historical events of the Nazi era. He, along with Friedrich Bern-hard Marby, was criticized by name in a report made to Heinrich Himmler by his chief esoteric runologist Karl Maria Wiligut. But what his fate was is unknown. At least one report has him fleeing Nazi Germany in exile to South America.

Download Edred Thorsson's eBook: Siegfried Adolf Kummer Rune Magic

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Asatru Poem Svadi The Giant

Asatru Poem Svadi The Giant Cover There once was a giant,
Who lived on a Mountain called Blesanerg,
In the North,
His name was Svadi,
He was a son of the Thunder God Thor.

At one time there was a man named Val,
Val was the son of Agnar and Hildigunn,
He had a sword called Horn-Hilt,
It was heavily inlaid with gold,
And it never missed it's mark.

It happened that Val had heard some rumors,
That Svadi the Giant had more gold than could be counted in marks,
Val decided to take a journey to Blesanerg Mountain,
In search of the Giant's gold.

Val traveled until he came to Blesanerg,
He climbed up on to the mountain,
He searched until he found the Giant's Mighty Hall,
Hiding and watching,
Val studied the activities of the Giant.

One day it happened that Svadi went out of His Hall,
And down the mountain he went,
To do a little fishing in the Valley below.

Val seeing his chance,
Came from his hiding place,
He Ran to the entrance of the Mighty Hall,
Once inside,
Val searched until he found the Giant's gold.

Gathering up all he could take,
Val quickly ran out of the Hall,
Back to his hiding place,
Staying until Svadi returned from his fishing trip,
Upon the Giant's return,
Val made his way down Blesanerg mountain,
And journeyed with his gold back home.

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Monday, September 27, 2010

Fehu Rune

Fehu Rune Cover This is the Rune of wealth and expansive energy. It represents a new beginning, so it is used to enable the beginning of a project. Its number is One, the number of the beginning. In its original interpretation Fehu means cattle. If we imagine an agricultural community, we will easily realize that the livestock plays a vital role in life within the community. Fehu represents possessions, earned or deserved, so it also represents material gains. Since bulls were sacrificed to Frey, which we know from some Sagas as well, we can directly connect Fehu to him, although it's often connected to his sister Freya. Seeing that Frey and Freya are fertility Gods, Fehu is also connected to this phenomenon. The aspect of Fehu must always be present in our life if we want to live it in a good way. Because if we're not materially set, if we don't have good employment or a place of residence, we can hardly advance in a spiritual way. Fehu is also connected to Gulveig, the deity of gold, i.e. material wealth. Gulveig is actually just another aspect of Freya.

Divination:

Positive meaning: financial strength, power, wealth, success, fertility, new beginning.

Negative meaning: material losses, greed, sexual frustration.

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Sunday, September 26, 2010

Goddess Huldra Or Holle

Goddess Huldra Or Holle Cover Huldra or Holle: Another birch goddess. She is patron of household chores and duties, such as spinning. Her realm is sometimes found by going down a well. She is helpful to young women who perform well their cleaning and chores, and punishes those who don't. She also is said to lead the Wild Hunt and during the winter, is said by some to be the consort of Ullr. She is leader of the huldrafolk, a sort of land-wight.

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Victory Or Valhalla The Final Compilation Of Writings

Victory Or Valhalla The Final Compilation Of Writings By David Lane Cover

Book: Victory Or Valhalla The Final Compilation Of Writings by David Lane

David Lane was a prolific writer who tackled all of the issues imperative to the survival of our race. Some of the material contained in these pages will be familiar to those who have read Deceived, Damned & Defiant. However, this book also contains newer writings, including his fictional story "KD Rebel" as well as his last interview.

The 14 words created by David Lane are immortal words. The White Race is in great danger. This collection of writings by David Lane is fantastic. He was a "MAN AGAINST TIME". In Germany a lot of people know David Lane's 14 words. We also enjoy his great writings. David Lane had been a competent author with wide-ranging knowledge of the world. We must unite our race to survive.


Buy David Lane's book: Victory Or Valhalla The Final Compilation Of Writings

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Important For Every Gothi

Important For Every Gothi Cover It is important for every Gothi to have a library, for study and reference, but also to share with others who seek knowledge of their precious heritage. This, of course, like all of the other requirements of the job, is a life's work. Begin with the Elder Edda, study The Havamal daily, but also learn the ancient myths of our Gods and Goddesses. Learn the myths and unlock the keys to the Nine Worlds. Study the Runes and obtain a set of them, or better yet, make your own. Learn the Runes, and use them. Read the wealth of information about our heroes in the Sagas, and obtain and read every possible book about the history, culture, customs, and lore of our ancestors. Of course study the Viking Age, but don't forget that the history of our people began with Ask and Embla, and continues on today. Where are you going to find time to do all of this reading? Why don't you start by selling your television and using the proceeds to buy books? And please, list your library in your Will so that when you die your precious book hoard doesn't wind up in the Goodwill box! You must acquire all of the knowledge that you can, because the Folk with come to you with their questions. Be prepared to answer them.

It is also important for the aspiring Gothi or Gythia to obtain the ritual tools necessary for your work. I know that it will take many years to obtain or build them, but you must do it all the same. Since the beginning of our people's spiritual awareness, the most precious possession of our holy men and women was the ritual bowl. Pronounced Bowli in Old Norse. It is symbolized in the shape of the Perthro Rune. It contains the power of our Gods, the luck and fortune of the tribe, the receptacle of our will and aspirations, and the holy offerings that we make to our Gods. It is the primal possession of the Shaman and the priest. It is sacred.

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Nauthiz Rune

Nauthiz Rune Cover Nauthiz is need. It can be physical or psychological, true or false. It's very important to recognize which are our real needs, and which aren't. One could say that this Rune is quite unstable because it's between desire and need, i.e. between what we have and what we don't have. This lack of balance is indicated even by the Rune's shape, with its upper line reminiscent of a see-saw whose balance is off. Because of this Nauthiz often signifies frustrations that come about when we hit a road-block. This resistance can come from the outside world, or from within us, no matter whether we're aware of the obstacles we create ourselves. Nied is always there when we run into something that we can't overcome, something that requires a great amount of effort to overcome. Nauthiz also tells you whether you're going in the wrong direction and that it's time to try something else. Some Authors connect this Rune to the Nornas seeing how it's the Rune of Fate.

Divination:

Positive meaning: duty, necessity, focus.

Negative meaning: delays, resistance, conflict, defeat.

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Stephen Mcnallen - What Is Asatru
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